Page Forty-Seven

me

The Ever Open Book in the
Matter of Design By J. W. G. Macdonald

ATURE is after all the only and ever open book in matters of
Design, always providing one looks hard enough. She has more
; decorative forms than she can ever dispose of and we who would design
| must be ardent students of her. Knowledge of form and drawing is the
foundation stone of Design and without which nothing can be produced.
A student must extract all there is to know about any one of God’s
creations and then put down his observations in his own way. This is
the only way to create original design.

Study the History of Art by all means, but do not look through the
eyes of the Egyptians or Greek or any other nationality. Rather, under-
H stand the essence of the principles that makes their work high water marks
1 for all time. This does not mean the frills and the icing, but the basic
structure.

Be as progressive as you like, as advanced as you like, but always
provided it is one step forward and not beyond your knowledge and
strength. Let the motto of your work be, “Think seven times and draw
once and for all time.’ Glory in the beauty of your country for all the
big forces of Nature are around you.

Col or By Dorothy Hensman

SAW a splash of colour (from dark trees) in brilliant sun.... All

suddenly it struck my staring eyes. . . . I trod a path so deep in trees,
so chill, so sombre grey . . . . my colour sense seemed straining in the
dark. ... The colour doors, which commonly do stand but half ajar,
lay wide . . . agap for light and warmth. . . Each colour channel open
lay to hands and feet and-brain; each colour nerve a-tingle to receive.
So was I unprepared to check . . . and suddenly it came . . . like golden
river, flooding wide its banks! It flooded through my weakened form,
stark colour, rich and strong, a brilliant Captor pressing hard its claim. . .
Just for an instant glorious, with startled mind aflame. . . Standing mid

_ sombreness . . . | seemed . . . colour personified.

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