; : : October 1996 / Planet of the Arts 27 TRIBUTE 10 ANS EL The Best of ADAMS Emily Carr Loved and loathed in equal proportions it seems, the legacy of Ansel Adams lives on in ubiquitous calendars and in the hostile remarks of art school students. How would an art exhibition that pays tribute to Ansel Adams and has been mounted by ECIAD students look (feel, smell, etc.)? What is the nature of the legacy to which ECIAD students would be paying tribute? The following are some possibilities: monumentalism United States nationalism commercialism A second dimension of a tribute to Ansel Adams is What parameters encumber contemporary, local art practitioners (specifically art students at ECIAD) who deal with Adams’ legacy: ¢ exploratory and deconstructive aesthetics ¢ inhabiting a U.S.-colonized culture e the propensity of many art students towards (self-) insistence on identification with socially-aware imagery living in a geographic region variously described as “Beautiful B.C” and “Super-Natural British Columbia”. A third dimension in a tribute to Ansel Adams is how to set up a dynamic for the show that responds to broad public perceptions of Ansel Adams’ body of work and its perception of post-secondary art education. This show proposes to raise the issues of the commerce in art, the nature of popular taste versus art school ghettoization, and the attempted fusion of disparate expectations about art on display in a public institution. Organizers: Submissions Alan Hoffman Cidalia Hopkins Jonathan Middleton Sophie Hackett Discerning male toilet users agree: The darkened stall in the bathroom near the Photography Department has the most comfortable and private atmosphere, highly conducive to the movement at hand. Also an appropriate venue to reflect upon the (in)authenticity of one's existential crisis. Publicitiy + Catalogue Harald Gravelsins Jonathan Lander Space Coordinator Rand Berthaudin Media: Works in all media are equally welcome. os Clearing Winter Storm, Yosemite National Park, California 1944 A. Adams Travelling at Christmas? Exams not scheduled yet Travel CUTS can help! " You don't have to wait until your exam schedule is published to book your flignt home for the holidays. Book in September for your Student Class fare and later, if you need to change your ticket due to exam scheduling, Travel CUTS will let you make one change to your travel dates for FREE! Christmas space is limited so don't miss out - book your flignt now! If you can hear it, you can transmit it on Radio Free Emily, ECIAD's ongoing radio project. Last year RFE was used for a range of activities including live performances, music and spoken word shows, and workshops by visiting artists. This year finds RFE unpacked and running in the Intermedia room (406, south building), waiting to transmit the stuff of your imagination! There will be a meeting on Thursday Oct. 3 at 12:15 in room 406 to share ideas and make big plans. Everyone is welcome. Leave a note in Josh Cohen's mailbox if you can't make it but want more info. Free date changes are only valid with special Travel CUTS Student Class fares. Seats are limited so changes are subject to availability. If your new travel Gates result in a higher fare, you will be required to pay the difference In the fares. See Travel CUTS for full details and to make your flight reservations. ¢. IRAVELCUTS Student, Youth and Budset Travel Experts Right here on Granville Island 1516 Duranleau Street Open Mon to Fri 9:30 - 5:30 & Sat 10:00 - 5:00 < * Owned and Operated by the Canadian Federation of $ October 1996 / Planet of the Arts 27 for submissions TRIBUTE TO ANSEL Concourse Gallery November 9-18, 1996 Loved and loathed in equal proportions I seems, the legacy of Ansel Adams ives on in ubiqutous calendars and in te hostile remarks of art school students, How would an art exibten that pays tube to Ansel Adams and has been mounted by ECAD students look feel, smell, ee)? wnat s the nature of the legacy to win