Page Twenty-Four

to acquire strength and knowledge. Your feeding ground is out in the city
and the hills. Take to your landscape painting the principles of composi- —
tion taught within. Analyse, dissect and re-create, crystalizing your
“motif” in the process.

Be true to your vision and fearless in expression.
“A work of Art is the result of a long, patient and painful evolution.” —

“A work of Art is the transmutation of thought with emotion in a ;
precise and concrete form.”

aa “The true decadents are the accepted and respected academicians
aa unsuccessfully imitating the work which has preceded them, creating
nothing new.” 4

“Art must take the road.” q

AHI | Mortalizing by M. A.W.

1 i | We think we’re getting worse

| Ltt When we should be getting better,
ae But all the masters say,

aaa If we follow to the letter,

ey | Even though we feel we’re worse

| We must be getting better.

Sue: It must be very hard to be a sculptor.

He: Oh, no; all you have to do is to take a piece of marble, chop ©
off with a hammer and chisel all the pieces you don’t want, and throw
them away.

Bert: Is that a poster? i

| Peter: S’poster be.

aa Vi Wylie: “There is a new Rembrandt in the Art Gallery.” q

| Marg McArthur: “It’s about time; that other one was getting pretty.
| ”
By | old.

W