ceramic expe

curated by Jim Stamper t the

one thinks of bowls and teapots

delicately
with precision.
uniquely versatile
ability to take on any

can imagine. The pieces _ displayed here repre-
sent a small glimpse at w
is capable of.

TwinTowers
Jim Stamper —. ites
stoneware, concrete, wood+electrical

Industrial Series
Jeremy Hatch
black clay+wire

ctations

first mention of “ceramics”,

glazed and fired
Clay, in reality, is a
material that has the
form that the artist

hat this incredible medium Tickled ’

Rebecca Robbins
clay+paints

Take Two They’re Small
Stuart Sproule
ceramic, stone and rubbber, 18” each

Untitled
Naoko Okamoto
stoneware

Untitled Landscape Flees the Earth

Magaret Maclean Clive Tucker
stoneware stoneware with lusters

ceramic expectations

curated by Jim Stamper t the first mention of “ceramics”,
‘one thinks of bowls and teapots

delicately glazed and fired
with precision. Clay, in reality, is a
uniquely versatile material that has the
ability to take on any form that the artist

can imagine. The pieces displayed here repre-
sent small glimpse at what this incredible medium

Tickled
is capable of. Rebecca Robbins

clay+paints,

Take Two They're Small
Stuart Sproule
ceramic, stone and rubber, 18° each

Twin Towers
Jim Stamper
stoneware, concrete, wood+electrical

Untitled
Naoko Okamoto
stoneware

Untitled Landscape Flees the Earth
Magaret Maclean: Clive Tucker

stoneware stoneware with lusters

Industrial Series Gsea. lle 1 4y;
Jeremy Hatch
black clay+wire