music review mule ALONE. THERES A DEAD MAN ON THE PORCH EpisWwoRL u ix IENDS > RATHER Ri i TV>*Lios SAlLiyH mM HIM 2 hyao LINO on IT10Y LNO8V ony L SVM x LVHM. PREGNAN T ON A HORSE AMINE' NH ELANDoeMILKY HONEY ir StaninGA My? GOT A BAD G ABOUT THIS ONE él ynoay LVHM nV NNV {Apri i094 gt ERC ¢ ago by Lenard Johns Willie Conway dda 2 Loura Borealis dd tic a * Jasper Greenlees & Matthew Taylor tge Jim Kimball illustration by Jasper This band kicked my fuckin’ ass. I saw them play the Starfish Room about three -weeks ago, and luckily enough I have this great roommate who’ll go and see a band, and the next day, if she liked them enough, she’ll go out and buy the tape. Well, she bought Mule, and for this I am grateful. How do I describe the unique phenomenon that is Mule? They’re kind of like motorhead, with hillbilly sensibilities, and a wicked guitar sound. Both the bass and the guitar players sing, and it’s quite the amaz- ing little sonic union. Actually, aside from the main singer’s seething bar brawl of a voice and the power of the music, I guess I wouldn’t let the comparison between Mule and Motorhead color your opinions too much. These folks (Mule) are coming out of a similar school as the Jon Spencer Blues Explosion and Doo-Rag, that underbelly-of- America-laid-bare-with-music thing. Not to detract form any of those bands or to imply that Mule are hangers on, which they aren’t, the comparison serves merely to draw some sort of connection and communicate that ephemeral something that hits you right in the chest when you’re out experiencing live music. There are a lot of bad bands out there, and for me it doesn’t take much to relegate a band’s efforts to something I'll probably never listen to again. Among the schlock, Mule is a strange island built of divorce proceedings, cheap scotch, and old trucks, too rusted out to drive. They are culture. article by Kacey McDougall ‘ e Se ee A ee | esigne’s aren'? serious , music review mule THERES A DEAD MAN ON THE PORCH This band kicked my fuckin’ ass. I saw them play the Starfish Room about three ‘weeks ago, and luckily enough I have this great roommate who'll go and see a band, and the next day, if she liked them enough, she'll go out and buy the tape. Well, she bought Mule, and for this Iam grateful. How do I describe the unique phenomenon that is Mule? They're kind of like motorhead, with hillbilly sensibilities, and a wicked guitar sound. Both the bass and the ‘guitar players sing, and it’s quite the amaz- ing little sonic union. Actually, aside from the main singer’s seething bar brawl of a 78th n0RY LAM nw NV, 4 03ST voice and the power of the music, I guess I wouldn’t let the comparison between Mule and Motorhead color your opinions too much, These folks (Mule) are coming out of a similar school as the Jon Spencer Blues Explosion and Doo-Rag, that underbelly-of- America-laid-bare-with-music thing. Not to detract form any of those bands or to imply that Mule are hangers on, which they aren't, the comparison serves merely to draw some sort of connection and communicate that ephemeral something that hits you right in the chest when you're out experiencing live 3 Sa eES: Autuatration by Jasper music, There are a lot of bad bands out, there, and for me it doesn’t take much to relegate a band’s efforts to something I'll probably never listen to again. Among the schlock, Mule is a strange island built of divorce proceedings, cheap scotch, and old trucks, too rusted out to drive. They are culture. article by Kacey McDougall