/ 10) JES* NUTS Nora: How old do you think I am? Dick: You don't look it, Anne: I don't enjoy eating. Willo: Why? Anne: Because it spoils my appetite. Bit uy out, Or tid. Bill N. Who was it, then? Model: I don't like these pictures, They don't do me justice. Artist: Justice? What you want is mercy. Bob: What's a permenent wave, Eddy? Eddy: A kind of permanent wave. Old Faithful: Sir, er «-- that is -- I would like to er -- that is - I mean, I have been going with your daughter Mollie for five years. Old Man: Well, wadda you want? A pen sion? FIRST YEAR (Cont'd) LUCILLE CAMPBELL ~- P.L. ~ Prunes. P,H. =~ Pansies. Ps - A certain hand- some skater. P.E. = "It was MORE fun" LLOYD PHILLIPS - P.L. Storks PH. = Being razzed. P. = Reminiscencing P.E. - "Oh, these wimmin" MARY BURGESS P.L. = Doughnuts. P.H. = Going to bedearly. P Skipping. P Ee - "Hi ya, big and handsome." ROGERS PEASE P.L. = Talking about Com munism. P.H. = Non-Communists. ee - Being Vancouver's Public Enemy No.1 (he rides a motor bike.) P.E. = "Down with the Nazis." No girl has ever made a fool: NINETEEN NONSENSE (Cont'd) Thinking in terms of foreground, micdic-distance and distance, the art= ist organized its component parts. In the foreground, mucn too close for either comPert or composition, ona slab paved street, a battle waged between Roman soldiers and some savage race of painted warriors. In what was visible between various and constantiy moving sections of anatomy of the middle distance and distance these might have been termed a repeat motif of the foreground As the three compartments were con- stantly changing actors, such a confus- ion arose that tho instructor's ana- lytical mind wished for some central figure to be emphasized by isolation - by being the centre of radiation or ... The contrasting motif came suddenly with a moving vital force and drove itself with rhythmic intensity into the corporeal manifestation of the ped- agogue. When sudden movement upsets balance as in this case it undoubtedly did, a fresh balance must be found. The instructor felt that he should become a diagonally balancing spot in thefar distance and immediately set out to perform this function, but found that although Room 19 had lost many of its features, it had retained its general proportions, This fact was brought to his attention by w wall which not only barred his progress . but disturbed his equilibrium. He lay still for a while and finally, lifting his befogged stare from a silk toga which he found him- self wearing, he stared amazedly at Michael ungelo's slave who was bending over a prostrate form. The figure of the slave straight ened, and with eyes of flaming hatred strode toward the cowering teacher .... (To be continued Although, "Memoria tremens rehorsit." He who laughs - lasts. A woman's always ready to take what's becoming to her. If ail the economists in the world were laid end to end, they would never reach a conclusion, ‘“ See »