/

10)

JES* NUTS

Nora: How old do you think I am?
Dick: You don't look it,

Anne: I don't enjoy eating.
Willo: Why?
Anne: Because it spoils my appetite.

Bit uy
out, Or tid.
Bill N. Who was it, then?

Model: I don't like these pictures,
They don't do me justice.

Artist: Justice? What you want is
mercy.

Bob: What's a permenent wave, Eddy?
Eddy: A kind of permanent wave.

Old Faithful: Sir, er «-- that is -- I
would like to er -- that is - I
mean, I have been going with
your daughter Mollie for five
years.

Old Man: Well, wadda you want? A pen

sion?

FIRST YEAR (Cont'd)

LUCILLE CAMPBELL ~- P.L. ~ Prunes.

P,H. =~ Pansies.

Ps - A certain  hand-

some skater.

P.E. = "It was MORE fun"
LLOYD PHILLIPS - P.L. Storks

PH. = Being razzed.

P. = Reminiscencing
P.E. - "Oh, these wimmin"
MARY BURGESS P.L. = Doughnuts.
P.H. = Going to bedearly.
P Skipping.
P

Ee - "Hi ya, big and
handsome."
ROGERS PEASE P.L. = Talking about Com
munism.

P.H. = Non-Communists.

ee - Being Vancouver's
Public Enemy No.1
(he rides a motor
bike.)

P.E. = "Down with the
Nazis."

No girl has ever made a fool:

NINETEEN NONSENSE (Cont'd)

Thinking in terms of foreground,
micdic-distance and distance, the art=
ist organized its component parts. In
the foreground, mucn too close for
either comPert or composition, ona slab
paved street, a battle waged between
Roman soldiers and some savage race of
painted warriors.

In what was visible between
various and constantiy moving sections
of anatomy of the middle distance and
distance these might have been
termed a repeat motif of the foreground
As the three compartments were con-
stantly changing actors, such a confus-
ion arose that tho instructor's ana-
lytical mind wished for some central
figure to be emphasized by isolation -
by being the centre of radiation or ...
The contrasting motif came suddenly
with a moving vital force and drove
itself with rhythmic intensity into
the corporeal manifestation of the ped-
agogue. When sudden movement upsets
balance as in this case it undoubtedly
did, a fresh balance must be found. The
instructor felt that he should become
a diagonally balancing spot in thefar
distance and immediately set out to
perform this function, but found that
although Room 19 had lost many of its
features, it had retained its general
proportions, This fact was brought to
his attention by w wall which not only
barred his progress . but disturbed his
equilibrium. He lay still for a while
and finally, lifting his befogged stare
from a silk toga which he found him-
self wearing, he stared amazedly at
Michael ungelo's slave who was bending
over a prostrate form.

The figure of the slave straight
ened, and with eyes of flaming hatred
strode toward the cowering teacher ....

(To be continued
Although,
"Memoria tremens rehorsit."
He who laughs - lasts.
A woman's always ready to take what's
becoming to her.
If ail the economists in the world were
laid end to end, they would never reach
a conclusion,

‘“

See

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