F =
4

S.

murders happen e at seqye
more d cri 1 they are ree y beyond Del" = cared about the idea

when they

a8. iN don't see. e) at the death pel
i peop

punis
the
penalty.

the only graphic scene in the’ film our brother, @ professional hunter,

disemboweling a deer. You've been prother to kill the deer was 2 personal
ritual. Does it bother you when you ’

of an artist who brin at interpretation in your work, you are
interpreted : num { nt ways. one of the
things tt to m a h open ended and open in
the middle, which enco’ eopie to OF ei n liv : on itself.
So I'm not surprise
nose interpretations» h nst
tting- | hope that my narratives are not that ope e
that people use the intormation in my films to back UP politi
system. _ : .

your next film is also about 4 homicide. ts this a coincidence?

No, it happened becaus® 1 forking vig tast film and some frien
was working on a film th i 10 s andt started to § nd
about i '

poonarel Bipues

d nin prison, and 4
that. Vm trying not to continue in this di

S.L. gie woogie” is 3 series of sixty, one-minute shots. It is like @ P
ms to be 2 trademark technique of your art. Ff.

number of films that dealt with American la
ie” was. rhey really meditations of A

o mu
than the Way you interpre landscapes in

ign’t that kind of heavy Soe ge; although it —

one of y° ims, “11 * 44”, has an & inute shot ot a smokestack. You
experimente jon of shot and audienc 2 js

ft shott r looks at ‘a shot at the beginning
ot breaks n.. The om “11 % 44” of the smoke stack

ot you s a en somewhere

and it may suggest
- the turning,
sculptural, and you lose all those
ions is in @ r of ditferent ways, and it can only
itselt- -

Do you use storyboards OF

t
tha

AES BENNING

1 Lockwood

st. tone Way Boost Wooglet tsa series Of nt, on

a number of films 1
They

‘gy. | Well, Vive ma
One Way Boogie
is somew!
tandscap:

4.8, No, it happened pecause (wan WorkUndl 28 this teat flim and some I

planet of the arts vo

© 3 number 2 1

Si, tweanada, fecedty” thore has been # growing trend to bring
paps in the States amet:

4.B. Yes, there 18

gu, What are your foating® about this?

{ne enty srapnic 800ne |

in my films is t in Gyes that are botl OPS

yur hae Ten tsetse, SBM ® homicide. 18 this @ coincidence?

weeiworking on a titm {ne

dealt with two murders tad they started t
9 on gnother homicide. MY

minute spots. (til
cqunie'. This seems to PO 2 tigemark technique of YOUr art

pat dealt with AmerICST, jandseal
‘are really oof American 18
i - 8 tI

tho!
SGne Way Boogie Hein which thete 18%” wy social

(was shot and comt

ii. one of your oaritat tims, oy 014"

r
eoMtimented with duration or Xt and auatonce Fenelon

ine same W2Y:

‘pop. Yes, tthink BY Yes nat the viewer looks St shot at the beginning
the idea of that 9! hat the pre from 21% fof the si sta
rectly betore necking offand then somewhere
the smoke ®! ane tagn wotch connects, narrati

rth, You (ook at the
in wish potion, BULStOS Tat

tnosti rg smoke, Pecan, atte ning more gtBPP sea Gouiptural, and YOU Sg all those
Wiehe mages: Th ning ig io. @ number OF ptvforent ways, and It 0a" only

s.t. Do you

‘gp. tive used itfe
atuiied tne area that wey, first, Then
Similar te,the way & troryboard woul
A Morking on has 8.6% aited
id execu

curren just going ahese

now Sys have already See, Heade-in. tne. Script
docttgn that | WOULdD | Ae th aneto changes 5 ©

SL. orities have faterred vo your filme
Dream.

hays gu trying to.axPese ©

‘ant techniques WN O°, w

te interpretit in the
tocar the Amertoan 21
humour.

storyboards oF seriDts?

0 colour slides and

shot particular orders

4 Netotograpnically: Te film

d be dramrote It and feMretG ePay over a years One

oer pat tne seriBt Lois oe te iso Most of the creatiey
never wor!

qa rexproring the gark £9 Jes of the American

myth?

grat will expose It
Hera tot-of my cites

Hen arn making

ck tl

cllprvment with “Landers, Suicides” was VOrY sesotional for me. BU Or thi
tnvoran ie ,vorrespand Wie eae person In prisons #1! toner five or six monine
Moire nest tate ms Ct YITS ret to continue In this sige jon, put entesfil PLL be

ne death penalty,

more consistent

pack the death

rirgpres Ge DEV eee i a professional RUN?

yided and ope?

ike a progressi°

aisemboweling # deer im Wasing your brother 1° Ta tre door was a persona!

distal, bows Wt pether You when ¥ yd in this Way?

won, you are any Kind St 00) art prings about interpretallnn in your work, you #F°
ng to have your Work Ma number of ot ways. one of the

J yeople to bring thelt Oi arg nto tne Interpreten itselt.
n peopl ring ings a watts differnet ‘han Uhad expected I
aver, 9° ty own potitical and ‘social pellets, that
my nai misread 1"
the information 3s against mY

n of

per-