|
9

‘Wet

i
bi-

isible

tion. God, the ideas stretch into infinitum.

Will it remain in the final end, then, that pleasure
of painting be yielded to bored cockeyed house-

ainters,
Ing sensi
Ed Ivsins

.

; somewhere, where d
issing persons, no, missing p

ty is missing
oF
ol

oe

i

d finally ‘‘create” a unique ethos as

boundless as the cosmos. Art painters, art painters,
angelic your calling! Perhaps musical accompani-

ment (disco?) pumped into the studios can pro-

.

hose interest may be the only one to be

together a wisdom of brush talent—expand
aroused?

Yes, “Why bother at all!’’ Are the painters
bored? The whole situation (ah, here we go

minism, an

(MP?) shame, shame, bad habits, bad habits,
wives w

scattered everywhere. Only one answer for bad
tion. What has become of the Art painters? Bad

lities that Nature has endowed Mr. Teacher? A
one and a two and a three let’s drum up some

synergy, impulse hands, react with positive deter-
noticed . . . yes? . . . the staid walls of the campus?

No, oh yes I have! Good for you. Well, why not

vide a measurable amount of ‘stimulus’. Have you
bring

again) warrants an ocean of “concern”. A pulse of
habits—good habits. Ah yes—brilliant observa-

critical activ
the monocolortone into the spectrum of v

.

habits. Why ignore the natural paint

it go? M

imagina
NOTES From The Student Society

©

Ay

pro?
¢

Certainly

wot

Ade

Suv’

There is no substitute

4

pro

To

Although the semester has just begun, our new artist-in-
residence Dennis Burton has told me how concerned he feels about

students failing to attend classes, or coming so late that they

miss vital instruction.

To register in a department implies a

There is no acceptable substitute for time which must

Tom Hudson, Dean of Instruction

ALL PAINTING STUDENTS

September 21, 1979
ideas, influencing each other, even reacting against each other,

for the long hours of studio activity which are absolutely
but all benefiting from the ethos created by both faculty and students.
If you have enrolled in the department, please use it, come and

get your instruction--or why bother to enrol at all.

necessary.

one must have no illusions that in the field of painting the
be spent on the actual collegepremises working together, sharing

commitment which is to be shared by faculty and students.
commitment has to be very considerable.

The Emily Carr
COLLEGE OF ART
DATE:

SUBJECT:

TOs
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