Y

they all read: Somewhere, Somehow, Somewhen, and Somewhy we are
getting diddled, and we're not going to take it anymore: They are
great for starting old style revolutions - the molotov cocktails
kind- but as Herbert Marcuse has written, and George Orwell has
demonstrated in his little novel Animal Farm, the continuum of
repression cannot be broken with such methods.

The A-TACK program was, after all the fluff blown away, nothing
more than a manifesto. Without the little TYPEWRITTEN (Gawd!)
explanation A-TACKed to the wall the A-TACK art was essentially
meaningless. There was nothing that could be considered to be
the kernel of a new language for Art. The A-TACK program was a
knee-jerk reaction - brainless, forceless, a molotov with no
punch.

In summary, and with the risk of repeating myself, the ach-
ievement of a new order, or rather, a new hum-nity, is going to
take a lot of time, sweat and intellect. Implicit in the idea of
developing a new language is the development of a new communica*
tion. To auote Marcuse at his dumbest, but most essential, ''the
student movement is not a revolutionary force, perhaps not even
an avant-quard, so long as there are no masses capable and willing

to follow.'' Any program with the intent of A-TACK must be able to
take its new lanquage outside the College, for a new communication;
the development of the new language must be simultaneous within
and without the College. We cannot isolate ourselves, to fight for
our own little island if creativity and humanity, and hope that

our quest will be successfull.

John R. Wright
Evening Program

The Paper’ (es publisiee by the Emily Cedi liaencathedeeet

Art and the Other Thinas Student Society.

Contributions are welcome and will duly be parred, split,

cut and pasted to fit our professional format. Tonights
editor-in-chief and most devoted doagsbody was Chris Bradshaw.
Arni Haraldsson designed the cover, but snlit early in
favour of a female ‘affiliation’ and a free dinner. Pieter
Kos spent most of the niaht looking for matches or hrooding
over his pdélemic prose. Yvonne Parent renresentéd our

femal staff contingent and did a remarkable job of lettra-
setting the nage numbers. ‘turray Gudmonson took time out
from his anti-nuking devices to lend a hand with the back
page and Jean-Marie Mit¢haud contributed pate and Nuebecois loaf.