echoing shore. Suddenly the hall was bright with an unearthly ra-
diance, and into the presence of Arthur came two angels bearing the
Holy Grail. On either side of the Seige Perilous they paused a
moment with sacred vessel uplifted, then with the Grail still held
high between them, passed again from Camelot. From the Seige
Perilous, Galahad arose and followed them, with Launcelot and his
fellow-knights at a little distance.

The King remained motionless, listening, while from afar the voice
of Galahad floated back, singing:

“My good blade carves the casques of men,
My tough lance thrusteth sure;

My strength is as the strength of ten,
Because my heart is pure.

So pass I forth through hovering wings,

All armed I ride whate’er betide—

I follow still the Holy Grail.’’

As all the acting was limited to pantomine, the role played by Madge
Farmer, in the characterization of King Arthur, was rendered doubly
difficult. Other participants were as follows:

Margaret Tatlow _____ Launcelot Marie Sullivan Galahad
Sea Walker Modred Florence Parker__.Good maiden
Vera Weatherbee Virgin Mary Maud Haywood ___. Joseph
Ada Currie} Shepherds Marjorie Park —_ |

Frances Gatewood _.} Wise men
Robert Panel _______. Knich Doris Rehberger ____
Phoebe Fuller ______ } aie

Frances Whinfield __

Las White monk Edith Carter sia Knights

Marjorie Lyne ____..
Norma Park Maidens

Marjorie Gostick __.
Margaret Williams } Angels

Ed. Bloomfield, Kit Pollard, Bob Panel and Walton Seed were very
efficient carpenters, stage hands, etc.

Since the story was originally intended to have a church as its set-
ting, the ingenuity of the Scenery Committee was taxed to the ut-
MOst to produce a suitable background with the limited means. at
their disposal. The stage props consisted of a bare classroom, a
roll of building-paper, poster paint, raw boards, a hammer, nails,
andasaw. From this meagre store a baronial hall, with a recessed

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