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U A Vol. 16, #6

Produced at the Emily Carr Institute of Art and Design (ECIAD)

1- front cover / 2- ad / 3- index/ 4- contributor’s; drive-by’s / 5- letter to the editor - a
nobody’s rant - / 6- ad / 7- e hoxha gallery / 8- english teacher / 9- the best part about it
is that it’s made out of dough / 10- dear diary / 11- e hoxha gallery / 12-13- watch / 14-
15- terence’s poster / 16-18- oval; the politics of interface / 19- ad / 20- ad / 21- nothing /
22- art, antiquity and the digital; digital analog / 23- e hoxha gallery / 24-25- curt / 26-

ego / 27- walk of art

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EDITOR’S RAMBLE

"A moral point of view too often serves as a substitute for understand-
ing technological matters."(McLuhan, Understanding Media, 1964)

Please my friends, think. Do not blindly denounce the evil which is
television, the internet, the system. Do not cry for the loss of a sense
of community. Do not cast blame. Think. Understand. Know. | plead
with you; do not wear "I don’t watch/ own a tv." like a badge of hon-
our. This is our world. This world of information, of communication, of
speed. You will get left behind. If you are against it: How do you
expect to fight a war without knowing your enemy? If you are for it:
How do you expect to manipulate it without knowing what buttons to
press? These are our tools. Know them. Control them.

Corinna vanGerwen, Editor in Chief

Influx Mandate

InFlux Magazine exists as a forum for ECIAD students to communicate
intelligent and thoughtful artworks and writing concerning the world of art to
the city of Vancouver. Run by ECIAD students, InFlux does not exclude the
contributions of staff, faculty, alumni and others outside of the institute.
InFlux, as well as showcasing the artworks of ECIAD students also contains
writings about art, design, and media arts and issues related to and influ-
encing these disciplines. The styles of writing are as diverse as the stu-
dents and includes creative writing, commentary, theory and critical writing,
as well as news and reviews. InFlux f$ meant to provide an alternative
voice, highlighting new perspectives and ways of looking at both new and
old ideas while engaging and inspiring its readers. InFlux aims towards
becoming a definitive arts publication of the Vancouver arts scene, show-
casing the un-established, unknown, up-and-coming art world.

“—@)
The following 20140 wOrds contain @

MPEUNES:

Produced at the Emily Carr Institute of.

16, #6

1- front cover / 2- ad / 3- index/ 4- contributor’s; drive-by’s / 5- letter to the editor - a
nobody’s rant - / 6- ad / 7- e hoxha gallery / 8- english teacher / 9- the best part about it
is that it’s made out of dough / 10- dear diary / 11- e hoxha gallery / 12-13- watch / 14-
15- terence’s poster / 16-18- oval; the politics of interface / 19- ad / 20- ad / 21- nothing /
22- art, antiquity and the digital; digital analog / 23- e hoxha gallery / 24-25- curt / 26-
ego / 27- walk of art

iain 7udeedin

EDITOR'S RAMBLE

"A moral point of view too often serves as a substitute for understand-

ing technological matters."(McLuhan, Understanding Media, 1964)

Please my friends, think. Do not blindly denounce the evil which is
television, the internet, the system. Do not cry for the loss of a sense
‘of community. Do not cast blame. Think. Understand. Know. | plead
with you; do not wear "I don't watch/ own a tv." like a badge of hon-
‘our. This is our world. This world of information, of communication, of
speed. You will get left behind. If you are against it: How do you
expect to fight a war without knowing your enemy? If you are for it:
How do you expect to manipulate it without knowing what buttons to
press? These are our tools. Know them. Control them.

Corinna vanGerwen, Editor in Chief

Influx Mandate

InFlux Magazine exists as a forum for ECIAD students to communicate
intelligent and thoughtful artworks and writing concerning the world of art to
the city of Vancouver. Run by ECIAD students, InFlux does not exclude the
contributions of staff, faculty, alumni and others outside of the institute,
InFlux, as well as showcasing the artworks of ECIAD students also contains
writings about art, design, and media arts and issues related to and influ-
encing these disciplines. The styles of writing are as diverse as the stu-
dents and includes creative writing, commentary, theory and critical writing,
as well as news and reviews. InFlux fs meant to provide an alternative
voice, highlighting new perspectives and ways of looking at both new and
ld ideas while engaging and inspiring its readers. InFlux aims towards
becoming a definitive arts publication of the Vancouver arts scene, show-
casing the un-established, unknown, up-and-coming art world