2 Z 2 3 Z Z 2 es 4 a loaned by Seattle on display at V.A.G. duly viewed “’en masse,” ‘“en gape” and ‘’en question” by the class . . . directed by one “in the know.”’ Passionate colour . . . but one looked a bit doubtful at first . . . and after a few questions—interest, mean- ing, ah! barbaric intensity, such power of design . . . we remember. And did you know the Ballet came to town? V.S.A. goes to rehearsals tra- la... in fact, goes to town. Idea was to sketch, but those forms! that movement! Ah ho! lackaday . . . for several days no need to worry about a topic for conversation ... thanks to Miss Laverock. Then the British Contemporary exhibition. A feast for all. If one didn’t like this or fancied that, it was there. Enthusiasts went many times thanks to dime vs. two-bit admish. Champions of Kit Wood, Matt Smith and the boys, with light of battle in their eyes, defend honor of their ‘chosen.’ Bravo! . . . Form, line, col- our, tone, movement, life and lack of it, all expressed for the student to sharpen on —to store away in the mind . . . to be used for future greatness. REPROS. OF THE “ICONS RUSSES,” aaa