CURRENT oe | Figure 2. The Ditch the Bottle sticker at a local supermarket, placed where bottled water is normally sold, delivers an otherwise disregarded fact about the product. 2011 Egyptian protests [6]. These pamphlets were created by the designer Ganzeer as a response to the uprisings, and were put online to be freely downloaded by the public. Subsequently, they were “widely shared via electronic social networks and designers’ blogs” [6]. In both examples, the designer took an authorship role— they took ownership and responsibility over their work, motivated by a concern over issues that impacted their society. However, it is not completely up to the designer to control where campaigns go. Projects can acquire “their own cultural identities separate from that of their creators, while also allowing for intellectual attribu- tion beyond the designer-authors” [6]. These projects are emblematic of the complex relationship between “author (artist, designer, photographer), idea, image, message, and audience” [7]. Itis a relationship that can trans- form and evolve, something the Ditch the Bottle project aims to do by giving much of the responsibility to the public. As a design- er-author, I provide the information, resources, and materials to REFERENCES [i] Baskind, C. 5 reasons not to drink bottled water. 2010. Retrieved from http:// www.mnn.com/food/healthy-eating/stories/5-reasons-not-to-drink-bottled-wa- ter [2] Bottled water facts. 2014. Retrieved from http://www.yorku.ca/susweb/ resources/documents/Bottled_water_factsMar2014.pdf [3] Facts on plastic bottles and bottled water. 2011. Retrieved from http://www.bottlesupglass.com/wp-con- tent/uploads/2011/08/Facts-About-Plastic-Bottles-and-Bottled-Water.pdf [4] Great Pacific garbage patch: Pacific trash vortex. 2010. Retrieved from http://education. nationalgeographic.org/encyclopedia/great-pacific-garbage-patch/ [5] Julier, G. From BOTTLED WATER PRODUCES htt it ION TON OF PLASTIC ; WASTE PER YEAR. NTCHTMEROTTLES C4 yy) vad QLiWit OSIVIE VD qa aLIWI1 encourage social dissent through community involvement, but it is ultimately up to the public to disseminate the material. CONCLUSION Single use bottled water has effectively turned one of the most fundamental human rights—access to clean, fresh water—into acommodity purchase. It is a hugely wasteful habit in which we throw away a bottle every time we finish, leaving it to pollute our land and poison our oceans. Asa form of design activism, with an emphasis on design authorship, the Ditch the Bottle project seeks to bring these issues to light by informing and engaging the public, and also by encouraging them to take responsibility. Designers should not be limited only to producing content that is commis- sioned—rather, the content can come from designers themselves. Itis crucial, with the current social, political, and economic state of the world, that we act on issues that have an impact on us. Design has the potential to both initiate and facilitate these movements. design culture to design activism. Design and culture, 5(2), 215-236. 2013. [6] Julier, G., & Kaygan, H. Global design activism survey. Design and culture, 5(2), 37-52. 2013. [7] McCarthy, S. Designer as author activist: A model for engagement. Design research society conference proceedings. Bangkok: Thailand, 2012.1614-1623. [8] Seltenrich, N. EHP - New link in the food chain? Marine plastic pollution and seafood safety. 2015. Retrieved from http://ehp.niehs.nih.gov/123-a34/ [9] Stastna, K. Bottle vs. tap: 7 things to know about drinking water. 2016. Retrieved from http://www.cbc.ca/news/ health/ bottle-vs-tap-7-things-to-know-about-drinking-water-1.2774182