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self-righteous overtures in the ‘socalled name of democracy' on the
subject of censorship. Censorship has always been a delicate issue
with creative people; innovative work has always been contraversial
in all fields. We need only look at recent history for examples
of repression in the arts. As creators we must have 'freedom
of expression ' and | stress that it is not the role of the creator
to impose selfcensorship. :

-+-As an invited speaker, ! was not given any guidance to what the
content of my presentation should be,-nor did | ask. Also ! do not
recall seeing any instructor(s) present during my lecture/screening.

In closing, | would like to add that | did enjoy coming to school
and talking to the foundation students and that many of the students
did linger after the official presnetation to ask more questions
about the work they had seen, and about ‘art' in general... my
apologizes to Ms. Dievelt for the physical and mental injuries suffered~

&

| have applied for entry in September, 1982 as a full-time
artist-trainee student. Having spent a lot of time being lost
in fascination and envy around the halls and work areas, one
thing has come to mind. I've seen painting, sketching, sculpt-
ure, prints etc..., but never ever photography displayed. Why?

Editorial Staff::Chris Bradshaw, ''Ilrwin'' Haraldsson, Pieter Kos

'The Paper' is an independant publication, funded entirely by the
Student Society of Emily Carr College of Art and Design.

WE NEED:WE NEED! MATERIAL...SUBMIT!SUBMIT! SUBMIT: SUBMIT :SUBMIT: