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Title: The Image of Life
Date: 2018
Name: Ruth L. Major (Creator)
Subject: Exhibition catalogs, Photography, Exhibition catalogs
Collection: info:fedora/ecuad:gradshow

Title: Pirate Alley:
Date: 1920
Name: Delcroix, Eugene A. 1891-1967 (creator)
Subject: American, 20th Century
Collection: info:fedora/ecuad:wosk

Title: Expanded Everyday
Date: 2013
Name: Rafael Fernando Puyana Prieto (author), Emily Carr University of Art and Design Graduate Studies (Degree granting institution)
Name: Puyana Prieto, Rafael Fernando
Subject: Street signs, Digital media and culture, Computer art, Augmented reality, Visual communication, Cities, Urban ecology (Sociology)
Description: [Expanded Everyday] Is a framework for augmentation of place that uses appropriation and digital interventions of unnoticed everyday objects, events, and memories collected through physical and conceptual explorations of urban space. My practice-based research departs with observations and explorations throughout urban space searching for an interventionist opportunity of unnoticed, unimportant, and forgotten everyday urban assets that belong to an everyday public dimension of the city. An always-present network of assets emerged from the visual language spoken by the city. These found assets are dismantled and re-purposed through visual experiments, and transmuted into parodistic digital appropriations, where their tangible nature blends into the digital realm through processes of hijacking and reconfiguration of their original function and purpose. I explore the confrontation of my work and the observers, the instant when they recognize the quotidian object in the artwork, and the one when later, makes them recognize the artwork in their quotidian experience. It is during that aftermemory where the political possibilities of my work are triggered in the observer's inner narrative. An interest in the city, a concern with its inhabitants, and an awareness of its potential as a site of transformative change began in 1999 as I fostered my artistic practice through experimentation in graphic design while developing an investigation about visual representation of popular culture in Bogotan society. I am setting a navigation point in the period where graphic design, art, digital media, the city, and the objects that live in its public space began to interact in a system of relations that have been evolving as important influences in my artistic practice since then and that are now formally developed in the context of this Master’s thesis project. The second chapter will revise the idea of the everyday as a subject of investigation, guided by the theoretical discussions developed in France during the fifties and sixties by authors such as Henri Lefebvre, Michel De Certeau, Guy Debord, and Georges Perec. I will revise the Situationist strategy of Derive and explore how the interruptions created in my work can open a political space for critical thinking and production of new meaning in contemporary urban life. The revision of the studio components of this thesis will begin with a brief analysis of two digital works inspired by the activist project Little Mountain Project (2012). In this analysis, I will review how a design commission for the project encouraged the production of a generative art piece inspired by the concept of disappearance, while at the same time opened a space for revising the tensions and crossings of the relation of art and design in my work, as well as the separation that I have imposed in my practice from graphic activism. Subsequently, this theoretical and historical material will be revised through the main body of work of my thesis project: Pedestrians Obey Your Signals, which operates alongside my definition of the everyday, and my understanding of the artwork as an interrupter in the quotidian perception of urban space. I will set in place the theories and ideas above exposed and revise in detail four animated works that compose this series.
Collection: info:fedora/ecuad:theses

Title: pota1994v10n1-010

Title: Consequence
Date: 2018
Name: Jessica Vandergulik (Creator)
Subject: Exhibition catalogs, Photography, Exhibition catalogs
Collection: info:fedora/ecuad:gradshow

Title: [Lisa?] covers a shelf of books with protective plastic sheeting in the South Building Library during construction, 1994.
Date: 1994
Description: Note attached to envelope: "Summer of 1994 South Building Library, We moved the collection in and then were told it was not ready for occupancy. Everything had to be covered with plastic sheets while the construction was finished + carpeting laid."
Collection: info:fedora/ecuad:archivalPhotos

Title: Work by Grace Ts, "Portrait", grad show 1993.
Date: 1993
Description: Back of photo: "Grace Ts, 'Portrait' ; F8, 11.5sec" ; envelope: "1993 Grad Show b/w photos, written on original envelope: 1993 Grad Show, b/w photos, I have the negs + credits, Alan."
Collection: info:fedora/ecuad:archivalPhotos

Title: Away War
Date: 2008
Name: Pas, Chelsey Pas Chelsey (Creator)
Subject: Photography, Exhibition catalogs
Collection: info:fedora/ecuad:gradshow2008

Title: Self-defending Mutation
Date: 2008
Name: Li, Karen (creator)
Subject: Visual Arts, 2008 Graduation Exhibition
Collection: info:fedora/ecuad:gradshow

Title: Installation view
Date: 2008
Name: DaSilva, Jason (creator)
Subject: 2008 Graduation Exhibition
Collection: info:fedora/ecuad:gradshow

Title: Genetisphere
Date: 2008
Name: Smith, Jai (creator)
Subject: Animation, 2008 Graduation Exhibition
Collection: info:fedora/ecuad:gradshow

Title: boat_01
Date: 2007
Name: Borkowicz-Stewart, Rhea (creator)
Subject: Visual Arts, 2007 Graduation Exhibition
Collection: info:fedora/ecuad:gradshow

Title: Installation view
Date: 2007
Name: Laura Fitzpatrick (creator)
Subject: 2007 Graduation Exhibition
Collection: info:fedora/ecuad:gradshow

Title: Installation view
Date: 2007
Name: Nicole Kaminsky; Derrick C. Wang; Claire Madill (creator)
Subject: 2007 Graduation Exhibition
Collection: info:fedora/ecuad:gradshow

Title: in/side Free
Date: 2010
Name: Penny Leong Browne Leong Penny (Creator)
Subject: Master of Applied Arts, Graduate Studies, Media Arts, Exhibition catalogs
Collection: info:fedora/ecuad:gradshow2010

Title: Modular Cube ll
Date: 2011
Name: Daniel Boenisch Boenisch Dan (Creator)
Subject: Exhibition catalogs, Visual Arts
Collection: info:fedora/ecuad:gradshow2011

Title: Everywhere I Go, I'm a Tourist
Date: 2011
Name: Arseni Khamzin Khamzin Arseni (Creator)
Subject: Exhibition catalogs, Photography
Description: Winner of the 2011 Canon Photography Award 2nd Place
Collection: info:fedora/ecuad:gradshow2011

Title: Urbanode
Date: 2016
Name: Sukhdeep Grewal (Creator)
Subject: 2016 Degree Exhibition
Collection: info:fedora/ecuad:gradshow

Title: Timeness
Date: 2008
Name: Wu, Hua-Cheng (creator)
Subject: Communication Design, 2008 Graduation Exhibition
Collection: info:fedora/ecuad:gradshow

Title: Looking at Word Finding, a Practice-Based Research Project About Participatory and Dialogical Art Processes
Date: 2011
Name: Lois Elaine Klassen (author), Emily Carr University of Art and Design Graduate Studies (Degree granting institution)
Name: Klassen, Lois Elaine
Subject: Artists and community, Communication in art, Interactive art, Video Art
Description: The art-based thesis project, Word Finding, is currently being produced through dialogue and conversation. Beginning with a community process and finally being realized in an art context, Word Finding asks larger questions about authorship and public discourse. This work and others described here challenge the reliance on fixed authorship in the way Foucault imagined a future marked by distributed authorship. In Word Finding authorship is continually distributed amongst the work’s participants and audience. This project builds on my earlier art practice where I investigated the way words spoken within a social context produced instability of meaning –how they were interpreted, retold and translated between people. To contextualize this project and my practice in general, I present case studies that provide a variety of models for dialogical art strategies. Linda Duvall and Kutluğ Ataman have produced artworks in which the respatialization of unscripted talking in aesthetic contexts enables a level of audience engagement. Methodologies surrounding dialogical and participatory art forms are discussed here with respect to key texts by Mikhail Bakhtin, Grant Kester, Claire Bishop and others. As an art project, Word Finding investigates the integration of communitybased dialogue and aesthetic use of dialogue within art contexts.
Collection: info:fedora/ecuad:mfa, info:fedora/ecuad:theses