tne MODEL se PrueA KS

The Monthiy Magazine of } Vancouver School of Art 4

Since 1929, with my own eyes wit- nessed. and watched how rapid the school ; has been progressing like the rising ye Suns gine. solid. foundation =. of the school, the incomparable system of teaching, the master’s voice sometimes rather severe, sometimes very gentle, } but all the goodstudents certainly they know how to take them,

Yes, they do work hard with | their mind and force that makes things worth-a-while. Now the monthly magazine is born so the brushes can express your works and also tell the people what you are doing. That is why I call M.M. of V.S.A. "The Northern Star of North America.

truly, truly; ste "Eugene Bond". re

: “f= Bess | ] Ed,Note. We are indebted to Eugene for ~ this message in his own language and for the English translation. Eugene

- 76

a icq 2 4 | has been with the school seven years. v hs

400 WORDS FROM THE WISE (From Page 1)

- ae Have we a plan, or are we waiting for _ ae Lady Luck's grim face to break into a smile? Or there's that composition, Pe drawing, or poster the instructor liked so much yesterday - did it just happen to be good, or, was there a plan bee hind it? To have an idea, te overthrow the difficulties, to grind it with cog- itation, then to project the whole from your mental image upon paper, with no dearth of hard work, is to earn, indeed the mark of excellence it will surely have. To hold a brush in a crafty hand is very fine, but to guide it with a thinking mind is much finer,

Many times, no doubt, our object= ives will be put off stride by the cir~ cumstances of the moment, buty this hardly seems reason for not having an objective. So let us aim at something (some authorities advocate aiming rether high) but at least aim -

Good night.

Vy! band i

~~ wes

: ama, [TN AL Tae

.e

Aix

3

*

oA ot!

“ah pasy © <—v

B, C. Binning