File
PLAY House: The Art of Finding Queer Pleasure in (Private & Public) FUN + PLAY
Digital Document
Content type |
Content type
|
---|---|
Collection(s) | |
Resource Type |
Resource Type
|
Genre |
Genre
|
Origin Information |
|
---|
Persons |
Author (aut): CR, Vee
Thesis advisor (ths): Reeves, Ben
|
---|---|
Organizations |
Degree granting institution (dgg): Emily Carr University of Art and Design. Graduate Studies
|
Abstract |
Abstract
Utilizing a TRANSdisciplinary and iterative process, with a focus on collage and installation, I am investigating identity & Private spaces in relationship to the Public spaces of the Art Gallery & Internet. My thesis project, PLAY House (2021), comprises three installation works that occupy, whether physically or digitally, the same three-walled room. Holliday Home (Glitch of the Heart) (2020), MySpace.jpg (2020), and PLAY Room (2021) were all created during the Covid-19 pandemic and explore intimacy, collaboration, isolation, and self-reflection with a focus on transforming a Public space. These installations act as self-portraits that aim to invite the viewer into a Private space as a means of creating understanding and connection between the artist & the participant. As my work is autobiographical, my positionality as a Canadian Queer Disabled ‘90s Kid is key to unpacking my methodology of FUN(ny) + PLAY(sure/ful) art, terms I’ve invented for the purpose of this thesis. While both FUN + PLAY evoke child-like pleasure, FUN(ny) is one’s experience with pleasure, and is a synonym for something humorous, while PLAY(sure/ful) is the thing that activates one’s experience with pleasure and a synonym for sexuality. Ideally, FUN + PLAY activate Queer Pleasure (Pride & Joy), which decreases Queer Pain (Shame, Anxiety, and Depression). FUN + PLAY are essential to our survival, culture, learning and innovation (Koster, Huizinga, Brown). Queerness & Disability drive me to engage in FUN + PLAY and dictate my choice of a Colourful, Campy, Maximalist, DeSkilled or “BAD,” Dada, POP Art aesthetic. This hybridized aesthetic is funneled into my research on private space as self-portraiture & its relationship to the public art world (e.g. Vincent van Gogh, Robert Rauschenberg, Tracey Emin, and Erica Stocking). Through my research & practice I conclude that Queer Pleasure & FUN + PLAY are essential in how we connect to ourselves and others in an uplifting way that is generative for learning, creativity, self-love, and community building. |
---|---|
Language |
Language
|
Degree Name |
Degree Name
|
---|---|
Degree Level |
Degree Level
|
Department |
Department
|
Institution |
Institution
|
Extent |
Extent
88 p.
|
---|---|
Physical Form |
Physical Form
|
Physical Description Note |
Physical Description Note
PUBLISHED
|
DOI |
DOI
10.35010/ecuad:17003
|
---|---|
Handle |
Handle
Handle placeholder
|
Use and Reproduction |
Use and Reproduction
This thesis is available to view and copy for research and educational purposes only, provided that it is not altered in any way and is properly acknowledged, including citing the author(s), title and full bibliographic details.
|
---|---|
Rights Statement |
Rights Statement
|
Use License |
Keywords |
Keywords
Queer
FUN
PLAY
Public
Private
Sexuality
Gender
Games
|
---|---|
Subject Topic |
Subject Topic
|
ecuad_17003.pdf24.23 MB
11755-Extracted Text.txt123.1 KB
Cite this
Language |
English
|
---|---|
Name |
PLAY House: The Art of Finding Queer Pleasure in (Private & Public) FUN + PLAY
|
Authored on |
|
MIME type |
application/pdf
|
File size |
25404756
|
Media Use |