I Remember when the World was Thicker

This MFA thesis, I Remember when the World was Thicker, is an exploration in the use of simulacra and simulation, while at the same time, it is a critique of their limits and inherent emptiness. It is practice-based research into a slow, meditative, observational process that led to the question; how can a mediated response to solistalgia provide some understanding of the defuturing of the natural world that is happening all around us? Sitting within the discipline of new media, the thesis employs projected animation to remind the viewer of a world when the trees were forests, the fish and the fisher weren’t separate, and the moths weren’t trapped. It presents as digitally projected computer-generated images. Principally, the work is an expression of grief for the loss of the natural world and its replacement with the simulated. It is also an attempt to shift the viewer towards a deeper feeling of the interconnectedness of the natural world. Although the work might look like cinema, it is not from that tradition, as there is no lens-based record within it. It is in effect, a gallery installation that simulates a gallery installation of three simulacra that contain the projected digital shadows of animal, insect, and plant forms. These animations were created through research into techniques and processes that use 3D computer and A.I. image creation, including text to image software, advanced computer animation software, generative 3d forms, 3D printing and CNC machining, high resolution projection and projection mapping. I Remember when the World was Thicker, contains research that fosters innovation in the use of advanced computer software and digital projection as a method of artistic production. It is also research into an artistic process that involves walking and seated observation and meditation as a form of artistic inspiration and knowledge gathering.