In this thesis, I explore material and conceptual conversations between the physical and the mystical, the seen and unseen, the visible and not. I outline personal embodied experiences with religious practices and within sacred spaces as a grounding…

How do images and diagrams inform cultural identity and the navigation of social space? This is a core question motivating my art practice. To produce my artwork, I glean images and texts from magazine collections, which I deconstruct and…

The following essay includes information that surrounds my investigations into the human desire to invest in objects. This writing accompanies questions concerning systems built for, by, and with things, as well as the possibilities of breaching…

Through painting, I rely on non-visual sensory information recorded in the woods to inform aesthetic decisions. Research happens in the act of painting. All visual and written references inform the collection of source material, but research happens…

This thesis explores how the movement, presentation and interaction of the body are learned through one’s identifier; gender, culture, nationality, race, religion, and social class. Expected norms to one’s mannerisms and way of being in the world is…

This paper explores the conventions and limitations of the photographic medium, both material and representational. Suggesting that photography is situated at an important point within its evolution, the paper searches for new directions within a…

My project, The Song of the Whale, is a product of an interdependent narrative structure, and has been led by my conjectural knowledge and artistic research. My research has led me to my current investigation and exploration of particular events and…

This thesis essay is an account of an auto-ethnographic research about how personal identity is formed, performed and represented. Its structure is experimental and it uses various and overlapping discursive strategies to engage the reader. It is…

My practice borrows from early material processes of animation. The tools and techniques I primarily use were developed for commercial entertainment but are now obsolete outside of education and experimentation. The demanding labor process of…

This paper discusses strategies for breaking conventional semiotic systems of signs and symbols towards machines and technologies, and considers alternative modes for interactive technologies and common technological objects. My research explores…

This research based practice investigates a contemporary relationship to environment in the age of the Anthropocene. Conceptually led, this interdisciplinary practice ranges from drawing, photography, video, sculpture, to site-sensitive installation…

This thesis poses questions about the preservation of culture and language amongst generations of Iranian immigrants living in North America. It investigates the socio-cultural implications of hybridity as they relate to interethnic exchange and the…

My art practice is based on the study of machines. Instead of focusing on how machines usually work, I discover and explore the noise of machines – both visually and aurally. In my work, I use a photocopier to scan and print the same image…

Considering art as both a metaphor for place and a place in itself, this thesis project investigates the organic and fabricated rhythms in everyday life and art making. The project’s concern is the effect of repeating seemingly simple gestures…

This supporting thesis attempts to argue for the use of comics and comic arts as an effective visual language with which to disseminate the question of female ageism (prejudice or discrimination on the basis of one’s age). Through familial and self-…

My thesis research is an investigation of Guatemala’s history, where I am from. I do this in resistance to silence, venerating and collaborating with my ancestors. The silence I speak of is a Guatemalan characteristic that entails never speaking…