Compound Object
What may seem like a fuzzy retreat from devastating personal, local, and global realities is in fact a tactile, humane action to seek alternatives. This thesis explores object-making in a world of hazardous objects and conditions, intertwining the…
Compound Object
My research has consisted of a series of artworks that are aimed at identifying effective methods of generating an immersive experience that gives pause for reflection. Art for me is a transformative process that increases awareness of self. Art…
Compound Object
Informed by my personal experience with organized religion and conditioned ideologies, my photo-based practice aims to explore my position as a female photographer who contributes to the commodification and consumption of women’s images while also…
Compound Object
This support paper seeks to analyze the potential of a new media arts practice in relationship to Second to Fourth Wave feminism discourse. Based on the works produced during my MFA studies at Emily Carr University, I investigate how a humanized…
Compound Object
This thesis essay is an account of an auto-ethnographic research about how personal identity is formed, performed and represented. Its structure is experimental and it uses various and overlapping discursive strategies to engage the reader. It is…
Compound Object
This paper outlines an emerging methodology that links separate art projects made in multiple locations. Accumulation (of both materials and experiences over time) combined with a process of interruption serve as a common line of enquiry that…
Compound Object
Compound Object
My practice borrows from early material processes of animation. The tools and techniques I primarily use were developed for commercial entertainment but are now obsolete outside of education and experimentation. The demanding labor process of…
Compound Object
Travelling to the Peace River Valley from Vancouver, I saw firsthand the impact upon the land, from large mining enterprises leaving polluted rivers, streams, and lakes; the clear cutting of forests, and the introduction of industrial work camps…
Compound Object
This thesis document titled Palm Readings is informed by entangled topics that take up plein air painting, watercolour as a primary medium and the relationship of colour to the Caribbean island of Puerto Rico. The specific questions that I address…
Compound Object
My work aims to question how historic tropes shape the way personal identity is formed in relation to sexuality, specifically in relation to masculinity and queerness. By using the symbols which are representative of my cultural background, I aim to…
Compound Object
This thesis documents focuses on painting and mythology and how they investigate thematic questions regarding consciousness and existence. The study investigates how world building and the creation of fictional characters through the medium of paint…
Compound Object
Utilizing a TRANSdisciplinary and iterative process, with a focus on collage and installation, I am investigating identity & Private spaces in relationship to the Public spaces of the Art Gallery & Internet. My thesis project, PLAY House (…
Compound Object
This thesis document, Enceinte Holobiont, explores the positional, practical, and theoretical underpinnings of my recent sculptures Composite Tension. My thesis (both conceptual and visual) focuses on the model of the maternal body that speaks to…
Compound Object
This thesis project is auto-ethnographic research and practice-based inquiry, into the cultural construction and representation of women. Movement, video installation, photography and handmade collage are combined to examine the marginalized spaces…
Compound Object
This paper chronicles my thesis research into memory, place and painting. I focus my research on the disused homestead of Demetri Cabin on Saltspring Island, and use this paper to introduce the reader to the site. Using two distinctive voices, one…
Compound Object
This thesis outlines the various approaches, processes, and works that I used throughout an ongoing negotiation between my professional routine as an employee with the Government of British Columbia and my work as an artist. The process of…
Compound Object
The body of work presented within this document is wide-ranging, sometimes performative, material based or ephemeral. Although I discuss my use of traditional media like painting, drawing and video, I also describe how I expanded the very notion of…
Compound Object
Throughout this paper, I will lay out some of the underpinnings of my practice. My practice is multivalent; it ranges widely, draws from many sources and employs a multitude of media. It reflects my explorations in using the parafiction as a…
Compound Object
The writing presented in this paper attempts to break down the broad structures within which I exist. I would like to preface the document by stating that I see the writing and art presented in this paper as steps in a broader effort to gain agency…
Compound Object
This paper discusses strategies for breaking conventional semiotic systems of signs and symbols towards machines and technologies, and considers alternative modes for interactive technologies and common technological objects. My research explores…
Compound Object
'Unspoken Intentions' and 'the Rooted People Heard Me All the Same' is a composition demonstrating an intertwining of Coast Salish knowledge and western scientific evidence. The confluence of these two worldviews form the…
Compound Object
This thesis is a phenomenological investigation of sound as a form of touch and the effects of close listening. A methodology for studio process is first proposed that relies on a background of memories and embodied experiences that contribute to a…
Compound Object
I make performances using space, time, the body — and sometimes things — as materials. These performances attempt, through a personal and embodied investigation of these materials, to explore an intimacy with the viewer that engages with questions…