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Ghosts of the Home: Unfolded Pasts & Traces of the Old Country is a project that encompasses material and conceptual research regarding the realities of people with cross-cultural identities. The core of this thesis work relies on my own Polish-…
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Edwards, Kathleen. DREAMING AS LIFEWAY: Analogue Apparitions and Earthly Protagonists. Master of Fine Arts, April, 2023, Emily Carr University of Art + Design, Vancouver, British Columbia, Canada. Shé:kon, sewakwé:kon. KJ ní’i. I am a Kanien’kehá:ka…
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The development of the project Peripheral Patterns aims toward an autonomous software system for generative music, that takes as a point of departure, how sound is implicated in our experience of the everyday world in the city. This investigation…
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This thesis document outlines several bodies of work that exist along a continuum of ongoing material process. In thinking through different sets of work, I seek to find through lines and consider past ways of making and thinking. In so doing, I…
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My thesis research is an investigation of Guatemala’s history, where I am from. I do this in resistance to silence, venerating and collaborating with my ancestors. The silence I speak of is a Guatemalan characteristic that entails never speaking…
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In my work in the MAA program I have focused on bringing the invisible/inaudible into the scope of human consciousness. Human perception is limited to our senses, and in this thesis I will investigate how we can allow for the perception of the…
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In the field of developmental psychology, mindfulness, or the state of present awareness, has shown promising results in enhancing self-regulation abilities in children in classroom settings. Such findings may suggest particular benefits to children…
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In this thesis, I explore material and conceptual conversations between the physical and the mystical, the seen and unseen, the visible and not. I outline personal embodied experiences with religious practices and within sacred spaces as a grounding…
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This paper examines the experience of lucid dreaming both from my own perspective and that of others, as well as the theoretical, psychological and artistic aspects of this phenomenon. I discuss destabilizing factors in lucid dreaming: a term used…
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My heritage is glued to colour palette, which is layered underneath historical and contemporary painting influences. In an attempt to answer these questions, I begin to peel back layers of personal history and the physical layers of each painting,…
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My impetus as an artist is to promote a sense of nature connectedness in the public consciousness, with the understanding that this leads to more pro-environmental attitudes. I gain insights from Indigenous ecological perspectives, the science of…
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My practice interrogates the space between an object and its ecology: the relationship between material practice and complex systems, such as living ecosystems, and the environments in which they are situated. My main interest is our current…
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This research addresses the affects experienced by most people in response to the current climate crisis. Research in the fields of psychology and human behaviour have termed the negative-value emotion “climate-anxiety.” My research inquires into…
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Music has been a lifelong hobby of mine. I've been interested in creating my own original music for a long time but was always scared that my songs will be trash. I finally took the leap in 2017 and published my first song. It's only been…
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Identisploitation explores charged representations of identity in pop culture through painted paper figures, video art, and garments. The complicated public images of historical figures, including the iconic Black performer, Josephine Baker, are…
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How do images and diagrams inform cultural identity and the navigation of social space? This is a core question motivating my art practice. To produce my artwork, I glean images and texts from magazine collections, which I deconstruct and…
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The following essay includes information that surrounds my investigations into the human desire to invest in objects. This writing accompanies questions concerning systems built for, by, and with things, as well as the possibilities of breaching…
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Through painting, I rely on non-visual sensory information recorded in the woods to inform aesthetic decisions. Research happens in the act of painting. All visual and written references inform the collection of source material, but research happens…
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I’m Crystal Chen, I usually go by Coco and I’m a 14 year old student that currently attends moscrop secondary school. I’ve always really enjoyed songwriting and I’ve been playing the piano since I was 4.
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The impulse at the center of my practice is simple: I am longing for time that stretches out. I do not wish to spend time, buy time, save time, kill time, keep time. I want to inhabit time. This paper is divided into four sections. In Entanglement,…
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Valine, Ana. OCEANIC ALCHEMY: Collaborations and Surrenderings in Film Eco-Processing. Master of Fine Arts (Experimental Film), April, 2021, Emily Carr University of Art + Design, Vancouver, BC. My filmmaking practice has been centered around ocean…
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Alger Ji-Liang (he/him), is an emerging photographer, filmmaker, and multidisciplinary artist living, breathing, and learning on the unceded territories of the Squamish, Tsleil-Waututh, and Musqueam peoples. His works situate the body as the centre…