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Picking up the Threads: Materializing Family Histories
Digital Document
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Author (aut): Sound Perich, Michelle
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Degree granting institution (dgg): Emily Carr University of Art and Design. Graduate Studies
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Abstract |
Abstract
This research project explores family history, craft materials, and how Aboriginal women create meaning in the making of complex and beautiful functional objects such as Pow-wow regalia and quilts. I reference the history and evolution of regalia, beadwork and Aboriginal quilts as a means of examining hybridity as it relates to material and cultural forms. As part of my methodology, hybridity and authenticity will be discussed in relation to Homi Bhaba, James Clifford and Robert Young. Brian Jungen's use of mass-produced commodities in his work and Faith Ringgold's “story quilts” are examined in the context of my material practice. I examine Lori Blondeau and Sherman Alexie's critical use of humour and pop culture to explore Aboriginal self-identity. Feminist examinations of textile practices are related to quiltmaking and handicrafts. My own experience of motherhood and its impact on my art practice is detailed. Drawing from archival research and oral histories my own family history is threaded throughout the thesis as I recover lost histories and knowledge. |
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63 p.
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Physical Form
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access
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Digital Origin
born digital
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DOI |
DOI
10.35010/ecuad:2753
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Use and Reproduction
This thesis is available to view and copy for research and educational purposes only, provided that it is not altered in any way and is properly acknowledged, including citing the author(s), title and full bibliographic details.
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Rights Statement
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Keywords |
Keywords
Culture
Indigenous
Hybridity
Installations
Craft
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ecuad_2753.pdf1.11 MB
8526-Extracted Text.txt67.77 KB
Cite this
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English
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Picking up the Threads: Materializing Family Histories
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application/pdf
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1163886
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