Eyewitness: Platform Design for Visualizing and Synthesizing Media Video Content of Political Significance
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Author (aut): Hamouda, Hoda
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Degree granting institution (dgg): Emily Carr University of Art and Design. Graduate Studies
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Abstract
New strategies of societal control are emerging as a result of citizens’ growing access to information facilitated by the Internet. These strategies are used to subvert the positive effects of information democratization and Citizen Media disseminated by Social Media platforms. The increasing quantities and idiosyncratic qualities of citizen media are challenging characteristics that stand in the way of its exploration, perception, and interpretation. I propose the Eyewitness Visualization and Platform design that adapts meta-design frameworks to contextualize, synthesize, and leverage citizen media video content (CMVC). Eyewitness participants will be able to construct a synthetic, comprehensive representation of a politically significant event from the view point of multiple witnesses (including themselves). The designed platform empowers citizens by mobilizing their efforts to achieve a common goal: reconstructing a historical record of a politically charged event as documented by average citizens’ media video content rather than state and corporatized media. The platform focuses on CMVC that does not carry any meta-data due to technological and/or governmental restrictions. The design prototypes focus on CMVC capturing the recent events of the Arab Awakening in Egypt. Factors that support cultures of participation and meta-design methodologies will be studied in light of Eyewitness. Based on these insights, I argue that a meta-design framework can play a role in neutralizing the negative effects of information overload on citizen media video content. |
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111 p.
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PUBLISHED
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DOI
10.35010/ecuad:1220
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Use and Reproduction
This thesis is available to view and copy for research and educational purposes only, provided that it is not altered in any way and is properly acknowledged, including citing the author(s), title and full bibliographic details.
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Citizen media
Amateur videos
Arab Spring
Egypt
Politics
Mass media
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Author (aut): Hamouda, Hoda
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Description / Synopsis
This paper explores the conventions and limitations of the photographic medium, both material and representational. Suggesting that photography is situated at an important point within its evolution, the paper searches for new directions within a photo-based practice, which continues to challenge and push the limits of the medium. Examining the way in which photography mediates and shapes experience, this thesis engages with popular photography, as a language with its own syntactical and semantic rules. Through explorations of the syntax of photography, parallels are drawn between the structure of language and the structure of photography. Metonymic structures within photographic language are discussed, with examples of the artist's work that aim to reveal and disrupt the metonymic nature of images. The role of collecting in the practice is defined as a first step in a process of coming to understand the world and its representations. Asserting the power of collage to disrupt and challenge representations, through a process of play and embracing ambiguity and uncertainty, the thesis culminates with a discussion of the development of genre mixing within the practice as a necessary evolution. |
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Eyewitness: Platform Design for Visualizing and Synthesizing Media Video Content of Political Significance
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16744975
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