Hybrid Horizons: Exploring Material-Led Abstractions in Landscape Art Practice

Kai Liu's thesis explores the concept of hybridity in art, examining the interplay between different artistic mediums and cultural paradigms. Through the analysis of two pivotal series, Near, So Far and Neither Mountains nor Water, this document delves into the phenomenon and application of hybrid art forms. The thesis highlights two aspects of hybridization: the fusion of printmaking and painting into a composite medium and the integration of traditional Chinese painting concepts with Western abstract art. Liu's work is a reflective dialogue between natural environments and internal contemplation, and it sublimates art traditions and artistic media. This thesis support document demonstrates Liu's creative strategy during his MFA studies at Emily Carr University, offering fresh perspectives on art and cultural identity.