Inhabiting Time: Holding material time through performance
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Author (aut): Che, Xinwei
Thesis advisor (ths): Gellman, Mimi
Thesis advisor (ths): Langlois, Justin
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Degree granting institution (dgg): Emily Carr University of Art and Design. Graduate Studies
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Abstract |
Abstract
The impulse at the center of my practice is simple: I am longing for time that stretches out. I do not wish to spend time, buy time, save time, kill time, keep time. I want to inhabit time. This paper is divided into four sections.
In Entanglement, I reflect on the capitalist time structures I grew up within, and how they inform my positionality and practice. I chart my encounters with Zenji Dogen and Carlo Rovelli’s writing, whose ideas challenged my assumptions about time, and compelled me to search for time’s expansive layers.
In Unravelling, I write about my material practice. It is through embodied observation of changing material processes that I first glimpse time that cannot be contained by the capitalist boundaries of hours and minutes. Here, I examine the elements and methods of a key durational performance – Maintenance in Progress.
In Threads, I explore three layers of time – earth time, saeculum time and ritual time – that I have discovered within my practice. In this section, I discuss the film, Laying Ground, which will be screened at my thesis exhibition.
Finally, in Weaving, I write about not knowing through a current project, Watering Cracks, and reflect on my expanded relationship with time.
I do not dive into detailed examinations of capitalist time in this paper, though I recognize my entanglement with it. I want to experience the qualities of time that arise from the earth’s cycles, from embodied rituals and from the life-spans of my durational works themselves. I do not want to define my work in opposition to commodified, linear time. As I have discovered through my practice, different times exist not in tidy binaries, but as complex layers within which we are enfolded. |
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44 p.
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PRE-PUBLICATION
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DOI |
DOI
10.35010/ecuad:17819
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Use and Reproduction
This thesis is available to view and copy for research and educational purposes only, provided that it is not altered in any way and is properly acknowledged, including citing the author(s), title and full bibliographic details.
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Rights Statement |
Rights Statement
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Keywords |
Keywords
Material
Process
Performance
Geological
Film
Impermanence
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Subject Topic |
Subject Topic
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Content type
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Collection(s) |
Collection(s)
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Resource Type |
Resource Type
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Genre |
Genre
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Origin Information |
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Persons |
Author (aut): Che, Xinwei
Thesis advisor (ths): Gellman, Mimi
Thesis advisor (ths): Langlois, Justin
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Organizations |
Degree granting institution (dgg): Emily Carr University of Art and Design. Graduate Studies
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Description / Synopsis |
Description / Synopsis
The impulse at the center of my practice is simple: I am longing for time that stretches out. I do not wish to spend time, buy time, save time, kill time, keep time. I want to inhabit time. This paper is divided into four sections. In Entanglement, I reflect on the capitalist time structures I grew up within, and how they inform my positionality and practice. I chart my encounters with Zenji Dogen and Carlo Rovelli’s writing, whose ideas challenged my assumptions about time, and compelled me to search for time’s expansive layers. In Unravelling, I write about my material practice. It is through embodied observation of changing material processes that I first glimpse time that cannot be contained by the capitalist boundaries of hours and minutes. Here, I examine the elements and methods of a key durational performance – Maintenance in Progress. In Threads, I explore three layers of time – earth time, saeculum time and ritual time – that I have discovered within my practice. In this section, I discuss the film, Laying Ground, which will be screened at my thesis exhibition. Finally, in Weaving, I write about not knowing through a current project, Watering Cracks, and reflect on my expanded relationship with time. I do not dive into detailed examinations of capitalist time in this paper, though I recognize my entanglement with it. I want to experience the qualities of time that arise from the earth’s cycles, from embodied rituals and from the life-spans of my durational works themselves. I do not want to define my work in opposition to commodified, linear time. As I have discovered through my practice, different times exist not in tidy binaries, but as complex layers within which we are enfolded. |
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Language |
Language
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Degree Name |
Degree Name
|
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Degree Level |
Degree Level
|
Department |
Department
|
Institution |
Institution
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Extent |
Extent
44 p.
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Physical Form |
Physical Form
|
Physical Description Note |
Physical Description Note
PRE-PUBLICATION
|
Handle |
Handle
Handle placeholder
|
---|
Use and Reproduction |
Use and Reproduction
This thesis is available to view and copy for research and educational purposes only, provided that it is not altered in any way and is properly acknowledged, including citing the author(s), title and full bibliographic details.
|
---|---|
Rights Statement |
Rights Statement
|
Use License |
Keywords |
Keywords
Material
Process
Performance
Geological
Film
Impermanence
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---|---|
Subject Topic |
Subject Topic
|
Language |
English
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Name |
Inhabiting Time: Holding material time through performance
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application/pdf
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32852881
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