The research I performed during the MAA program was focused on establishing a theoretical framework for creative and collaborative participation, using dialogue and encounter in place-specific contexts. I discuss the development of this methodology…

This paper explores the conventions and limitations of the photographic medium, both material and representational. Suggesting that photography is situated at an important point within its evolution, the paper searches for new directions within a…

This thesis research is comprised of artworks that are concerned with the processes by which art objects are delimited in terms of both their creation and their reception. My conception of objects is informed by Karen Barad’s agential realism, which…

My project, The Song of the Whale, is a product of an interdependent narrative structure, and has been led by my conjectural knowledge and artistic research. My research has led me to my current investigation and exploration of particular events and…

My research has consisted of a series of artworks that are aimed at identifying effective methods of generating an immersive experience that gives pause for reflection. Art for me is a transformative process that increases awareness of self. Art…

This thesis essay is an account of an auto-ethnographic research about how personal identity is formed, performed and represented. Its structure is experimental and it uses various and overlapping discursive strategies to engage the reader. It is…

My practice borrows from early material processes of animation. The tools and techniques I primarily use were developed for commercial entertainment but are now obsolete outside of education and experimentation. The demanding labor process of…

This paper chronicles my thesis research into memory, place and painting. I focus my research on the disused homestead of Demetri Cabin on Saltspring Island, and use this paper to introduce the reader to the site. Using two distinctive voices, one…

This thesis outlines the various approaches, processes, and works that I used throughout an ongoing negotiation between my professional routine as an employee with the Government of British Columbia and my work as an artist. The process of…

This paper discusses strategies for breaking conventional semiotic systems of signs and symbols towards machines and technologies, and considers alternative modes for interactive technologies and common technological objects. My research explores…

I make performances using space, time, the body — and sometimes things — as materials. These performances attempt, through a personal and embodied investigation of these materials, to explore an intimacy with the viewer that engages with questions…

This paper is about memory and about narrative, both of which are concerned with what is missing. It explores the ways that the events in our individual lives, our collective lives, become history and narrative. The paper considers writer Thomas…