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This paper explores the conventions and limitations of the photographic medium, both material and representational. Suggesting that photography is situated at an important point within its evolution, the paper searches for new directions within a…
Compound Object
Through my practice of colour darkroom manipulations and site installation, I investigate the photographic act as a unique phenomenon, serving a visual practice that embraces iteration and futurity. Photographs are in their very nature a unique set…
Compound Object
In this thesis, I demonstrate how I map out my autobiographical experiences within my art practice to bring attention to the powerful capitalist and patriarchal structures that keep feminism, mental illness, and pain hidden. By using autotheory, I…
Compound Object
My project, The Song of the Whale, is a product of an interdependent narrative structure, and has been led by my conjectural knowledge and artistic research. My research has led me to my current investigation and exploration of particular events and…
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Established practices of editorial design for fiction and non-fiction primarily focus on the visual communication and curation of meaning to a user of a given text. This is usually accomplished via art direction, delivery platform, and overall form…
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This thesis essay is an account of an auto-ethnographic research about how personal identity is formed, performed and represented. Its structure is experimental and it uses various and overlapping discursive strategies to engage the reader. It is…
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My practice borrows from early material processes of animation. The tools and techniques I primarily use were developed for commercial entertainment but are now obsolete outside of education and experimentation. The demanding labor process of…
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My work aims to question how historic tropes shape the way personal identity is formed in relation to sexuality, specifically in relation to masculinity and queerness. By using the symbols which are representative of my cultural background, I aim to…
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Utilizing a TRANSdisciplinary and iterative process, with a focus on collage and installation, I am investigating identity & Private spaces in relationship to the Public spaces of the Art Gallery & Internet. My thesis project, PLAY House (…
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Throughout this paper, I will lay out some of the underpinnings of my practice. My practice is multivalent; it ranges widely, draws from many sources and employs a multitude of media. It reflects my explorations in using the parafiction as a…
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This paper discusses strategies for breaking conventional semiotic systems of signs and symbols towards machines and technologies, and considers alternative modes for interactive technologies and common technological objects. My research explores…
Compound Object
Photo by Philip Timms. “Old Chinatown Dupont St. at Main St. 5a.m., Vancouver, B.C.” 1904. Courtesy of the Chung Collection, UBC Rare Books and Special Collections. Created for inclusion in the 2019 Makers Artists United (MAU) calendars
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This thesis is a phenomenological investigation of sound as a form of touch and the effects of close listening. A methodology for studio process is first proposed that relies on a background of memories and embodied experiences that contribute to a…
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Owing to the long history of being colonized by China and France, the Vietnamese language has been exposed to the cultural conception of other nations. It has been separated by great gulfs in time, geography, different social and political systems,…
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This research based practice investigates a contemporary relationship to environment in the age of the Anthropocene. Conceptually led, this interdisciplinary practice ranges from drawing, photography, video, sculpture, to site-sensitive installation…
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This thesis poses questions about the preservation of culture and language amongst generations of Iranian immigrants living in North America. It investigates the socio-cultural implications of hybridity as they relate to interethnic exchange and the…
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This practice based research is grounded in multi-day walking and camping activities guided by procedures which alter the ways I perceive and participate with my more-than-human surroundings. From these walks emerge animations, installations, oral…
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This supporting thesis attempts to argue for the use of comics and comic arts as an effective visual language with which to disseminate the question of female ageism (prejudice or discrimination on the basis of one’s age). Through familial and self-…
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Edwards, Kathleen. DREAMING AS LIFEWAY: Analogue Apparitions and Earthly Protagonists. Master of Fine Arts, April, 2023, Emily Carr University of Art + Design, Vancouver, British Columbia, Canada. Shé:kon, sewakwé:kon. KJ ní’i. I am a Kanien’kehá:ka…
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My art practice is based on the study of machines. Instead of focusing on how machines usually work, I discover and explore the noise of machines – both visually and aurally. In my work, I use a photocopier to scan and print the same image…
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Considering art as both a metaphor for place and a place in itself, this thesis project investigates the organic and fabricated rhythms in everyday life and art making. The project’s concern is the effect of repeating seemingly simple gestures…
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My thesis research is an investigation of Guatemala’s history, where I am from. I do this in resistance to silence, venerating and collaborating with my ancestors. The silence I speak of is a Guatemalan characteristic that entails never speaking…
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My name is Khim Hipol i am a Filipino artist who immigrated to Vancouver, Canada, the unceded territories of the Musqueam, Squamish, and Tsleil-Waututh Nations. I focuses my work on the ideas around body, culture and identity, and their effects…
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This thesis proposes that if people and local communities were more skilled in making and repair, they could be more resourceful with the objects around them, making it possible to engage in more sustainable practices. Such skills afford a revised…