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Throughout this paper, I will lay out some of the underpinnings of my practice. My practice is multivalent; it ranges widely, draws from many sources and employs a multitude of media. It reflects my explorations in using the parafiction as a…

This research based practice investigates a contemporary relationship to environment in the age of the Anthropocene. Conceptually led, this interdisciplinary practice ranges from drawing, photography, video, sculpture, to site-sensitive installation…

This supporting thesis attempts to argue for the use of comics and comic arts as an effective visual language with which to disseminate the question of female ageism (prejudice or discrimination on the basis of one’s age). Through familial and self-…

This thesis poses questions about the preservation of culture and language amongst generations of Iranian immigrants living in North America. It investigates the socio-cultural implications of hybridity as they relate to interethnic exchange and the…

Owing to the long history of being colonized by China and France, the Vietnamese language has been exposed to the cultural conception of other nations. It has been separated by great gulfs in time, geography, different social and political systems,…

This thesis is made up of a 35mm film, reinsertion, and a praxis paper that investigated my film processes and research, concerning the missing and murdered women of Vancouver. The catalyst was my experience living in a city in shock during the…

My art practice is based on the study of machines. Instead of focusing on how machines usually work, I discover and explore the noise of machines – both visually and aurally. In my work, I use a photocopier to scan and print the same image…

My practice borrows from early material processes of animation. The tools and techniques I primarily use were developed for commercial entertainment but are now obsolete outside of education and experimentation. The demanding labor process of…

In this thesis, I explore material and conceptual conversations between the physical and the mystical, the seen and unseen, the visible and not. I outline personal embodied experiences with religious practices and within sacred spaces as a grounding…

My thesis research is an investigation of Guatemala’s history, where I am from. I do this in resistance to silence, venerating and collaborating with my ancestors. The silence I speak of is a Guatemalan characteristic that entails never speaking…

Through painting, I rely on non-visual sensory information recorded in the woods to inform aesthetic decisions. Research happens in the act of painting. All visual and written references inform the collection of source material, but research happens…

The development of the project Peripheral Patterns aims toward an autonomous software system for generative music, that takes as a point of departure, how sound is implicated in our experience of the everyday world in the city. This investigation…

This thesis proposes that if people and local communities were more skilled in making and repair, they could be more resourceful with the objects around them, making it possible to engage in more sustainable practices. Such skills afford a revised…

Sound is a prominent feature of our urban environment, affecting us in many ways. Studies show that sound levels in cities are increasing every year. Considering the fact that our well-being is closely related to everyday sound, there is an apparent…

This thesis explores how the movement, presentation and interaction of the body are learned through one’s identifier; gender, culture, nationality, race, religion, and social class. Expected norms to one’s mannerisms and way of being in the world is…