Compound Object
Through practice-based and theoretical research, I consider relationships of connection and separation between objects, other living things, and myself against the backdrop of Western capitalist culture. Inspired by the practice-based research model…
Compound Object
This thesis document is divided into eight chapters, each one representative of a step and/or necessary component within traditional printmaking processes. Serving as both didactic terms and metaphoric interpretations, the steps are essential parts…
Compound Object
Through a visual art practice and research, this thesis explores my personal background as a Chinese immigrant, through depicting scattered childhood memory to seek overlooked connections among people, objects, and places. By investigation of…
Compound Object
This text is my reflection on this journey of exploring, study- ing, contemplating, learning and unlearning, in different layers and different voices. Metaphorically, it is in the shape of a palimpsest. The process of writing it consists of erasures…
Compound Object
This thesis poses questions about the preservation of culture and language amongst generations of Iranian immigrants living in North America. It investigates the socio-cultural implications of hybridity as they relate to interethnic exchange and the…
Compound Object
Compound Object
The social and political relevance of contemporary art is bound up in paradox. As the perceived failures of the avant-garde demonstrate, even the most radical projects of the 20th century eventually succumb to some form of institutional…
Compound Object
This research paper examines the importance and value of matrilineal knowledge and emotional knowledge as foundations for an art practice, as well as artmaking as a means of processing difficult emotions such as grief. The studio research…
Compound Object
Compound Object
This paper is the theoretical component that accompanies Sidi Chen’s Master of Fine Arts project, Tidal Relations, at Emily Carr University of Art + Design. Tidal Relations is a practice-based relational inquiry from the diasporic perspective of a…
Compound Object
My research takes place in my hometown, the rural community of Hope, B.C.. situated on the traditional territory of Chawathil First Nation and the Tiyt Tribe. The Tiyt Tribes of the Stó:lō territory extend along the boundaries down both sides of the…
Compound Object
Agente Costura is a Portuguese term loosely translated into We are a sewing Agent. It stands for my experiments with the sewing machine as a compositional percussion instrument, making music out of making clothes, challenging myself in collaborative…
Compound Object
This paper considers the role of an emergent embodied art practice in better understanding, communicating and managing the experiences of chronic illness and chronic pain. Referencing a history of pain scales, diagnostic tools, and pain management…
Compound Object
The following paper is a two-part document of research. I process information best through the use of metaphor and narrative, so in order to tackle the complicated, analytical research of unpacking consciousness and the nature of death in relation…
Compound Object
This thesis is a reflection on my artistic practice before and after the MFA program. While I initially thought it was about nothing, I later came to realize it was actually about "nothingness". I explored anamnesis, involuntary memory and…
Compound Object
My art practice is based on the study of machines. Instead of focusing on how machines usually work, I discover and explore the noise of machines – both visually and aurally. In my work, I use a photocopier to scan and print the same image…
Compound Object
This essay interrogates the notion of subjectivity and poses the following questions: How does one become a subject? What positions constitute his/her subjectivity? How are these positions interpreted by others? How can we envision an ethics that…
Compound Object
Compound Object
Considering art as both a metaphor for place and a place in itself, this thesis project investigates the organic and fabricated rhythms in everyday life and art making. The project’s concern is the effect of repeating seemingly simple gestures…
Compound Object
My art practice is based on the study of sensory perception. How can the representation of synesthesia function in an art context, specifically painting? Further to this, what is the role of sensory perception in relation to Chinese cosmology and…
Compound Object
This thesis project researches the ethology of grey squirrels and their links to human systems to speculate possible futures in hybrid human development through artistic practice. Humans living in urban spaces interact daily with nonhumans as cities…
Compound Object
“How is the body a vessel for memory?” and “How do the stories we recall and recount create who we are?” These are the questions explored in this thesis through the lens of memory loss and family, alongside an analysis of the challenges of…
Compound Object
In this thesis, I discuss feminist acts of resistance and the politics of location, relating this to my own artwork and to that of other performance artists. Taking this as a point of departure, I further position my creative practice in relation to…
Compound Object
This practice based research is grounded in multi-day walking and camping activities guided by procedures which alter the ways I perceive and participate with my more-than-human surroundings. From these walks emerge animations, installations, oral…
Compound Object
This supporting thesis attempts to argue for the use of comics and comic arts as an effective visual language with which to disseminate the question of female ageism (prejudice or discrimination on the basis of one’s age). Through familial and self-…