Stasieczek, Patryk

Through my practice of colour darkroom manipulations and site installation, I investigate the photographic act as a unique phenomenon, serving a visual practice that embraces iteration and futurity. Photographs are in their very nature a unique set of variables and limits fixed together to produce an image. They are the surface negotiating causality (through time and calibration) that allows a viewer to witness traces of the photographic act through an experience of a photographic object and site installation. This negotiation is located in the recursive synthesis of the photographic act, the photographic object, and the photographic experience. Throughout this thesis I articulate how a material practice such as my own addresses an embodied investigation of limits both in a darkroom process and in the installation of work.

In support of the fulfillment of the degree of Master of Applied Arts at Emily Carr University of Art and Design.

In support of the fulfillment of the degree of Master of Applied Arts at Emily Carr University of Art and Design.

In support of the fulfillment of the degree of Master of Applied Arts at Emily Carr University of Art and Design.

In support of the fulfillment of the degree of Master of Applied Arts at Emily Carr University of Art and Design.

In support of the fulfillment of the degree of Master of Applied Arts at Emily Carr University of Art and Design.