This thesis project is auto-ethnographic research and practice-based inquiry, into the cultural construction and representation of women. Movement, video installation, photography and handmade collage are combined to examine the marginalized spaces of the domestic. Exploring metaphors of the fragmented female body, this document seeks to challenge Western patriarchal ways of knowing and interpreting the world. Inspired by fourth wave feminist theory and artwork, I discuss the female experience as one that is made strange through gender codes, rape culture and spectatorship.