Yang, Xinyu

In support of Xinyu Yang's MDES thesis.

In support of Xinyu Yang's MDES thesis.

In support of Xinyu Yang's MDES thesis.

In support of Xinyu Yang's MDES thesis.

In support of Xinyu Yang's MDES thesis.

In support of Xinyu Yang's MDES thesis.

In support of Xinyu Yang's MDES thesis.

In support of Xinyu Yang's MDES thesis.

In support of Xinyu Yang's MDES thesis.

In support of Xinyu Yang's MDES thesis.

In support of Xinyu Yang's MDES thesis.

In support of Xinyu Yang's MDES thesis.

In support of Xinyu Yang's MDES thesis.

In support of Xinyu Yang's MDES thesis.

This thesis explores the political and the narrative nature of objects. It questions how we can “charge objects with issues” (Marres, 2012), and looks at the ways we build up stories through objects. In order to explore these questions more comprehensively, it considers why we need to tell stories, and what kind of stories can be told through objects. The focus of this body of work is not the functional improvement of objects; rather critical design objects are used to trigger and mobilize thoughts and reflections from the audience who will view those objects, or participate in the scenarios formed through those objects. Through critical design and a practice-led approach, the historical origin of domestic objects, and their capacity to embody our humanity and hold our attention are explored. The work focuses specifically on ceramics as a medium to tell stories. The humble vase has not only served as an ambassador of cultural exchange but a witness to history. This document introduces a historical context of cultural and economic trade and exchange and brings forth contemporary examples of storytelling through objects. A historical survey of Ming to Delft trade initiated the work and helped me consider aesthetic appropriation of culture, and the contexts that inform making. My practice- led projects incorporate traditional craft processes and skill development, supported by case studies of contemporary design practitioners, and the logic and inspiration behind their work. The main methods at play in my research are heuristic study, survey, and material practice (learning through making). I have focused on how different objects (singular) can tell different stories as well as how a collection of objects (multiple) can tell stories. Through this exploration, and in order to understand my context for making, I learned skills of making in a traditional craft: ceramics. I gained knowledge from expert craftsmen by working with them in a professional studio. I explored ideas and concepts of contemporary decolonization through a practice of making. Material agency enabled me to piece together and reconstruct stories related to my personal experience, social events and the relationship between people and objects.