Borrowed Place

This thesis investigates the difficulties of reclamation and decolonization within the context of Hong Kong, recognizing the fluidity of how decolonization is defined, and the transitional nature of both people and place. Through printmaking and the metaphor of the Chinese squatting body, the artist examines how the squatting body can embody the transitional and transformational qualities of Hong Kong that express the hybridity and complexity of Hong Kong’s identity and colonial history. By combining Frantz Fanon’s definition of decolonization and Chantal Mouffe’s agonistic model, the artist argues that there is potential for political discourse within the space of Hong Kong to be resolved without enforcing a friend/enemy relationship, which often escalates towards violence, which is seen through the 2019-2020 protests. This research also shows the potential issues that may prevent the decolonization of Hong Kong due to the inherent conflict between Hong Kong’s identity as a part of the British colony, and its identity as a part of China.