Compound Object
This research began with the body, however nobody (no-body) is the location where this practice presently exists. To be clear, this research is developed through symptoms that develop within a body and then exist outside of a body as material.…
Compound Object
This writing is a window into my mind and the meandering thoughts behind a series of sculptural experiments and installations I have made from compostable materials. The work explores the porosity of bodies as entities and the symbiosis that becomes…
Compound Object
My research takes place in my hometown, the rural community of Hope, B.C.. situated on the traditional territory of Chawathil First Nation and the Tiyt Tribe. The Tiyt Tribes of the Stó:lō territory extend along the boundaries down both sides of the…
Compound Object
Compound Object
Edwards, Kathleen. DREAMING AS LIFEWAY: Analogue Apparitions and Earthly Protagonists. Master of Fine Arts, April, 2023, Emily Carr University of Art + Design, Vancouver, British Columbia, Canada. Shé:kon, sewakwé:kon. KJ ní’i. I am a Kanien’kehá:ka…
Compound Object
This thesis document outlines several bodies of work that exist along a continuum of ongoing material process. In thinking through different sets of work, I seek to find through lines and consider past ways of making and thinking. In so doing, I…
Compound Object
Identisploitation explores charged representations of identity in pop culture through painted paper figures, video art, and garments. The complicated public images of historical figures, including the iconic Black performer, Josephine Baker, are…
Compound Object
The impulse at the center of my practice is simple: I am longing for time that stretches out. I do not wish to spend time, buy time, save time, kill time, keep time. I want to inhabit time. This paper is divided into four sections. In Entanglement,…
Compound Object
Compound Object
The instrumentalization of biometric data orchestrated through surveillance technologies can press today’s users of communication tools, devices, and platforms to opt out of such systems. This graduate research thesis aims to reveal the…
Compound Object
The thesis titled Chasing the Light, delves into the experience of art through a phenomenological approach to painting. By examining the relationship between painting, embodied experiences, and the built environment, the artist incorporates the…
Compound Object
"Shelter in Paint: a portrait of an empty house" is an investigation into private space and private thought through the visual language of representational painting. Structured as though moving through the rooms of the house, this paper…
Compound Object
Through my practice, I consider how artists can communicate a sense of empathy, compassion and kinship with insects and arachnids that encourages thoughtful cohabitation and the adoption of sustainable ecological practices. The focus of my research…
Compound Object
This thesis investigates the difficulties of reclamation and decolonization within the context of Hong Kong, recognizing the fluidity of how decolonization is defined, and the transitional nature of both people and place. Through printmaking and the…
Compound Object
This thesis support paper is about the journey of my development in art and illustration during the MFA program. The paper includes an introduction of my identity and background that is influential to my artistic practice. The focus of my practice…
Compound Object
Through the Master of Fine Arts program at Emily Carr University of Art + Design my work has focused on the mediated moving body as my research investigates the concept of embodiment for joy, self-awareness, and self-reflexivity. Art is an ideal…
Compound Object
Compound Object
In this thesis, I demonstrate how I map out my autobiographical experiences within my art practice to bring attention to the powerful capitalist and patriarchal structures that keep feminism, mental illness, and pain hidden. By using autotheory, I…
Compound Object
Compound Object
This thesis document titled Palm Readings is informed by entangled topics that take up plein air painting, watercolour as a primary medium and the relationship of colour to the Caribbean island of Puerto Rico. The specific questions that I address…
Compound Object
Compound Object
This paper is the theoretical component that accompanies Sidi Chen’s Master of Fine Arts project, Tidal Relations, at Emily Carr University of Art + Design. Tidal Relations is a practice-based relational inquiry from the diasporic perspective of a…