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Through my practice, I consider how artists can communicate a sense of empathy, compassion and kinship with insects and arachnids that encourages thoughtful cohabitation and the adoption of sustainable ecological practices. The focus of my research…

Through my practice of colour darkroom manipulations and site installation, I investigate the photographic act as a unique phenomenon, serving a visual practice that embraces iteration and futurity. Photographs are in their very nature a unique set…

The thesis paper explores an interdisciplinary and research based practice as a means to interpret the intricacies of webbed patterns in the universe. It examines the existence of patterns at a microscopic and macroscopic level in order to…

This paper outlines the formation of an artistic methodology and an emerging thesis project. Walking and collecting along the shoreline serve as a conduit for creating and point towards a broader engagement with notions of time and temporality. The…

Through the Master of Fine Arts program at Emily Carr University of Art + Design my work has focused on the mediated moving body as my research investigates the concept of embodiment for joy, self-awareness, and self-reflexivity. Art is an ideal…

“In the universe, there are things that are known, and things that are unknown, and in between them, there are doors.” ― William Blake. This thesis support paper presents my artistic research on the ephemeral nature of absence in social constructs…

An exploration of dreams is a recurring source of inspiration for my practice. Coupled with observations from lived, waking experience, dreams offer another layer and resource for making art. Inspired by my dreams the balloon is used as a material…

In this thesis, I demonstrate how I map out my autobiographical experiences within my art practice to bring attention to the powerful capitalist and patriarchal structures that keep feminism, mental illness, and pain hidden. By using autotheory, I…

This thesis outlines an exploration of the relationship between memory and architecture through the lens of technology. I discuss how memory and knowledge have become outsourced into computers and devices which can change our perception of reality,…

This paper lays out the thinking process and decisions taken in an artistic methodology and an emerging thesis project. Here, imagination, reflection and projection are interpreted both as methods in looking and as inner spaces; they are ways to see…

What may seem like a fuzzy retreat from devastating personal, local, and global realities is in fact a tactile, humane action to seek alternatives. This thesis explores object-making in a world of hazardous objects and conditions, intertwining the…

My practice borrows from early material processes of animation. The tools and techniques I primarily use were developed for commercial entertainment but are now obsolete outside of education and experimentation. The demanding labor process of…