This paper discusses strategies for breaking conventional semiotic systems of signs and symbols towards machines and technologies, and considers alternative modes for interactive technologies and common technological objects. My research explores…

Through practice-based and theoretical research, I consider relationships of connection and separation between objects, other living things, and myself against the backdrop of Western capitalist culture. Inspired by the practice-based research model…

This thesis outlines the various approaches, processes, and works that I used throughout an ongoing negotiation between my professional routine as an employee with the Government of British Columbia and my work as an artist. The process of…

This research based practice investigates a contemporary relationship to environment in the age of the Anthropocene. Conceptually led, this interdisciplinary practice ranges from drawing, photography, video, sculpture, to site-sensitive installation…

My practice borrows from early material processes of animation. The tools and techniques I primarily use were developed for commercial entertainment but are now obsolete outside of education and experimentation. The demanding labor process of…

Through my practice of colour darkroom manipulations and site installation, I investigate the photographic act as a unique phenomenon, serving a visual practice that embraces iteration and futurity. Photographs are in their very nature a unique set…

An exploration of dreams is a recurring source of inspiration for my practice. Coupled with observations from lived, waking experience, dreams offer another layer and resource for making art. Inspired by my dreams the balloon is used as a material…

I make performances using space, time, the body — and sometimes things — as materials. These performances attempt, through a personal and embodied investigation of these materials, to explore an intimacy with the viewer that engages with questions…

This paper outlines the formation of an artistic methodology and an emerging thesis project. Walking and collecting along the shoreline serve as a conduit for creating and point towards a broader engagement with notions of time and temporality. The…

This thesis document, Enceinte Holobiont, explores the positional, practical, and theoretical underpinnings of my recent sculptures Composite Tension. My thesis (both conceptual and visual) focuses on the model of the maternal body that speaks to…

Throughout this paper, I will lay out some of the underpinnings of my practice. My practice is multivalent; it ranges widely, draws from many sources and employs a multitude of media. It reflects my explorations in using the parafiction as a…

This paper examines the experience of lucid dreaming both from my own perspective and that of others, as well as the theoretical, psychological and artistic aspects of this phenomenon. I discuss destabilizing factors in lucid dreaming: a term used…

This paper is in support of my artist-based thesis research entitled Aurora. My practice is interdisciplinary with a focus on installation and sculpture, consistently engaged in questions surrounding culturally inherited power structures and…

I envision the world as an intricate labyrinth of stories, where with each encounter we have the opportunity to learn from the lived experiences of others. The perplexities of human existence and a curiosity for understanding and sharing perspective…

This research began with the body, however nobody (no-body) is the location where this practice presently exists. To be clear, this research is developed through symptoms that develop within a body and then exist outside of a body as material.…