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My piece is an abstract contortion film created during the Covid-19 pandemic, in the context of increased anti-Asian sentiment and life in lockdown.

In support of Kathleen Roger's MFA thesis.

Focused on a very small scale, Alisa gives view into the worlds of kelp and sand at Wreck Beach. Prominently featured is the movement of small grains of sand and silt, running down a leaf or pulled to the sea in small rivulets.

In support of Hoda Hamouda's Master of Design thesis.

This presentation was part of a panel discussion titled "On Non-Human Futures, Instruments, and Stories" which took place online on November 22, 2021. The panel was a part of the Conducting Creative Research series, a collaboration between…

In support of Kelly Small's MDes thesis.

The world today presents us with many complex challenges, such as dealing with a pandemic. The solutions to these challenges are not easily found through the lens of single scholarly disciplines. Increasingly, problem-solving in a complex world…

Recorded at Miller's Landing, this features a more removed view of several locations, the small movements within, finally underscored by a sense of human interruption by an amount of detritus.

Day Sixty is a film made with Socially distanced protocols. All set ups were either 6 feet apart, or were shot with techniques such as an unmanned camera, in order to ensure that we were maintaining the strict Covid Guidelines in place in May of…

In support of Giulia de Oliveira Borba's MDES thesis.

Isolation is a portrait of an individual, but a shared human experience. A lot of the shots and editing pace were used to emphasize how disoriented quarantine can feel. Each day blends together, as we dissociate from our temporal structures. This…

Filmed at Wreck Beach starring the smallest of actors, flies swarming above a rock, a worm amongst glistening sea moss, and an ant on a leaf. Removed from the micro timescale, featured as well is the slow drift of sun across a spiderweb.

In support of Ashley Huang's MFA thesis. Earthenware, Video, and Sound. "Humpback whale vocalization provided courtesy of Glacier Bay National Park and Preserve. Gabriele, Christine. “Glacier Bay humpback whale song November 2020. National…

"A film created and produced by Kaylee Louie finds its catalyst over the course of isolation during the COVID-19 Pandemic. Being stuck in her home for the course of 2020, this film was the first time Kaylee has explored capturing movement,…

Part I: "Recommended Readings" - The conceptual/metaphorical movements broadly reference how librarians related to other ECU community members (staff and other faculty members), the nature of these relationships in the context of power,…

"Hiatus, Hope, Harmony. All is good. And then, something changes. You feel incomplete, unaccomplished and restless. You almost disappear. It is a pause, a hiatus, a break...anything but a stop. It is time to pay attention to your mental health…

Beginning with the solitary march of an ant amongst a forest of grass, we follow the movement of water and sand to the rocky shore, small tableaus captured in beautiful compositions.

This presentation is a part of a collaborative series between Emily Carr University of Art and Design (ECU) and OCAD University (OCAD U). The series explores themes around responsible conduct in art and design research. The Conducting Creative…

Research Data Management (RDM) is increasingly recognized as a key part of the research enterprise in all disciplines. With the forthcoming release of the Tri-Agencies’ Policy on Research Data Management, both researchers and the institutions and…

In support of Shi Mawenzhu's MFA thesis. The black part is the interactive part which is designed to be viewed only in person. Total video length is 10 minutes.

The purpose of this presentation is to foster awareness of the privacy issues that rise throughout the entire lifecycle of research data. This presentation is a part of a collaborative series between Emily Carr University of Art and Design (ECU) and…

In nothing is permanent, I used my cell phone as a means of documenting my POV in an ever-changing world while utilizing my extensive library of videos. The video is a compilation of my contributions to CO-VID 19: 2-gather-a-part, a 2020…