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Prototype for interspecies new media performance, 01:30 min excerpt Yellow Ball is part of an experimental series of performances called Canine Haiku. The series draws attention to intentionality and expressiveness of nonhumans, and relational…

Recorded at Miller's Landing, this features a more removed view of several locations, the small movements within, finally underscored by a sense of human interruption by an amount of detritus.

In support of Hoda Hamouda's Master of Design thesis.

This presentation is a part of a collaborative series between Emily Carr University of Art and Design (ECU) and OCAD University (OCAD U). The series explores themes around responsible conduct in art and design research. The Conducting Creative…

Part I: "Recommended Readings" - The conceptual/metaphorical movements broadly reference how librarians related to other ECU community members (staff and other faculty members), the nature of these relationships in the context of power,…

My piece is an abstract contortion film created during the Covid-19 pandemic, in the context of increased anti-Asian sentiment and life in lockdown.

"A film created and produced by Kaylee Louie finds its catalyst over the course of isolation during the COVID-19 Pandemic. Being stuck in her home for the course of 2020, this film was the first time Kaylee has explored capturing movement,…

In this presentation, Dorit Naaman will address data management through emergent research-creation methods in the settings of contested territory and traumatic histories. It will describe Naaman’s interactive documentary project, Jerusalem, We Are…

"Hiatus, Hope, Harmony. All is good. And then, something changes. You feel incomplete, unaccomplished and restless. You almost disappear. It is a pause, a hiatus, a break...anything but a stop. It is time to pay attention to your mental health…

Beginning with the solitary march of an ant amongst a forest of grass, we follow the movement of water and sand to the rocky shore, small tableaus captured in beautiful compositions.

In support of Shi Mawenzhu's MFA thesis. The black part is the interactive part which is designed to be viewed only in person. Total video length is 10 minutes.

Isolation is a portrait of an individual, but a shared human experience. A lot of the shots and editing pace were used to emphasize how disoriented quarantine can feel. Each day blends together, as we dissociate from our temporal structures. This…

The purpose of this presentation is to foster awareness of the privacy issues that rise throughout the entire lifecycle of research data. This presentation is a part of a collaborative series between Emily Carr University of Art and Design (ECU) and…

In nothing is permanent, I used my cell phone as a means of documenting my POV in an ever-changing world while utilizing my extensive library of videos. The video is a compilation of my contributions to CO-VID 19: 2-gather-a-part, a 2020…

A pensive study of the shoreline focusing first on small movements of sand and water, then moving out into the water amongst kelp and algae, with appearances made by small flies and crabs.

This workshop will introduce students to the use of one blockchain technology in protecting health data. It will engage students in a discussion of the role human-centred design methodology can play in promoting human-centred decision making when it…

Recorded at Deer Lake Park, this piece focuses on the slower timescale of moss and decaying flora, speeding up time as leaves make ripples in a pond.

This presentation was part of a panel discussion titled "On Non-Human Futures, Instruments, and Stories" which took place online on November 22, 2021. The panel was a part of the Conducting Creative Research series, a collaboration between…

In this workshop, Hillary Webb will give a virtual tour of the Emily Carr University’s institutional repository system (Islandora), an overview of the kinds of research + creation accepted to the repository, an explanation of the non-exclusive…

In support of Ashley Huang's MAF thesis. Earthenware, Video, and Sound.

In support of Oluwasola Olowo-Ake's MDes thesis.

Detail from Installation. Forms made of relief prints of organic collected materials (bark, lichen, pine scales) on rice paper. Fluttering detail cascading onto floor is printed lichen collected in Squamish, BC.

Julie Bull, PhD, presents on Indigenous research – from their doctoral dissertation – where they did several unconventional things, like using poetry, to disrupt dominant notions of scholarly writing and scientific rigor. The presentation is also…