Compound Object
This thesis support paper is about the journey of my development in art and illustration during the MFA program. The paper includes an introduction of my identity and background that is influential to my artistic practice. The focus of my practice…
Compound Object
Through my practice of colour darkroom manipulations and site installation, I investigate the photographic act as a unique phenomenon, serving a visual practice that embraces iteration and futurity. Photographs are in their very nature a unique set…
Compound Object
The thesis paper explores an interdisciplinary and research based practice as a means to interpret the intricacies of webbed patterns in the universe. It examines the existence of patterns at a microscopic and macroscopic level in order to…
Compound Object
This paper outlines the formation of an artistic methodology and an emerging thesis project. Walking and collecting along the shoreline serve as a conduit for creating and point towards a broader engagement with notions of time and temporality. The…
Compound Object
For We Are The Children of The Sun is a thesis project which aims to utilize abstraction and non-figuration as methods of representation for Black Women on Turtle Island. Through a personal contemplation of identity and ancestry, symbols such as…
Compound Object
This project aims to gain an understanding of storytelling using a transmedia approach. Throughout the research, I explored how knowledge is generated using a multi-stage process that moves from poetry writing to tapestry weaving, and then to audio…
Compound Object
Through the Master of Fine Arts program at Emily Carr University of Art + Design my work has focused on the mediated moving body as my research investigates the concept of embodiment for joy, self-awareness, and self-reflexivity. Art is an ideal…
Compound Object
“In the universe, there are things that are known, and things that are unknown, and in between them, there are doors.” ― William Blake. This thesis support paper presents my artistic research on the ephemeral nature of absence in social constructs…
Compound Object
Compound Object
An exploration of dreams is a recurring source of inspiration for my practice. Coupled with observations from lived, waking experience, dreams offer another layer and resource for making art. Inspired by my dreams the balloon is used as a material…
Compound Object
My research Perspective is Moving started with two questions. An internal one - how do I see the world? And a professional facing one - how can a design or design process contribute to shifting contemporary dualist, human-centered perspectives…
Compound Object
In this thesis, I demonstrate how I map out my autobiographical experiences within my art practice to bring attention to the powerful capitalist and patriarchal structures that keep feminism, mental illness, and pain hidden. By using autotheory, I…
Compound Object
Compound Object
How can engagement, visualization tools, and handworkmanship promote thinking beyond traditional modes of garment design? Traditional garment creation has a deep history of craft, quality workmanship, and culture. As the collective skills of weaving…
Compound Object
This thesis project is rooted in relationships─ the deep bonds which we share with one another, with our more-than-human kin, and our relationship with the abundant animate life that exists in the natural world. After losing several loved ones to…
Compound Object
This thesis outlines an exploration of the relationship between memory and architecture through the lens of technology. I discuss how memory and knowledge have become outsourced into computers and devices which can change our perception of reality,…
Compound Object
My project, The Song of the Whale, is a product of an interdependent narrative structure, and has been led by my conjectural knowledge and artistic research. My research has led me to my current investigation and exploration of particular events and…
Compound Object
The horizon is a visual example of a distance that is physically unreachable. In this document, I define the horizon as both a metaphoric place where longing resides and also a physical site that can be seen. In other words, the horizon is an in-…
Compound Object
This paper lays out the thinking process and decisions taken in an artistic methodology and an emerging thesis project. Here, imagination, reflection and projection are interpreted both as methods in looking and as inner spaces; they are ways to see…
Compound Object
Learning to See the Unknown: Drawing Out the Strange is a thesis project that takes a speculative approach to reflecting on subjective experiences of mental imagery, perception, and other neural phenomena. Entangled with ways of understanding from…
Compound Object
What may seem like a fuzzy retreat from devastating personal, local, and global realities is in fact a tactile, humane action to seek alternatives. This thesis explores object-making in a world of hazardous objects and conditions, intertwining the…
Compound Object
Established practices of editorial design for fiction and non-fiction primarily focus on the visual communication and curation of meaning to a user of a given text. This is usually accomplished via art direction, delivery platform, and overall form…
Compound Object
My research has consisted of a series of artworks that are aimed at identifying effective methods of generating an immersive experience that gives pause for reflection. Art for me is a transformative process that increases awareness of self. Art…
Compound Object
Informed by my personal experience with organized religion and conditioned ideologies, my photo-based practice aims to explore my position as a female photographer who contributes to the commodification and consumption of women’s images while also…