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My practice interrogates the space between an object and its ecology: the relationship between material practice and complex systems, such as living ecosystems, and the environments in which they are situated. My main interest is our current…

Identisploitation explores charged representations of identity in pop culture through painted paper figures, video art, and garments. The complicated public images of historical figures, including the iconic Black performer, Josephine Baker, are…

How do images and diagrams inform cultural identity and the navigation of social space? This is a core question motivating my art practice. To produce my artwork, I glean images and texts from magazine collections, which I deconstruct and…

The following essay includes information that surrounds my investigations into the human desire to invest in objects. This writing accompanies questions concerning systems built for, by, and with things, as well as the possibilities of breaching…

Through painting, I rely on non-visual sensory information recorded in the woods to inform aesthetic decisions. Research happens in the act of painting. All visual and written references inform the collection of source material, but research happens…

This thesis document outlines the key concepts and research practices I undertook to explore the aesthetics of mediating digital and analog logics through materiality and painterly abstraction. It culminated in a body of work of 8 paintings and a…

This thesis explores how the movement, presentation and interaction of the body are learned through one’s identifier; gender, culture, nationality, race, religion, and social class. Expected norms to one’s mannerisms and way of being in the world is…

I make intimate scale objects that encourage audience interaction through their mobile devices, or small to larger scale works utilizing phenomenological engagement with projections, or mirrors. My research is focused on the Anthropocene, our…

Threads Entwined, Stories Unfolded, Futures Imagined is a thesis project which begins to unravel narratives of becoming, personhood and the radicality of imagination that Punjabi Sikh women, in my life, have cultivated. I bring forward and explore…

Through sculptural explorations using everyday objects and materials, my work investigates the potential for social transformation through material explorations in art. Drawing on strategies found in both art and design, I explore connections…

The thesis titled Chasing the Light, delves into the experience of art through a phenomenological approach to painting. By examining the relationship between painting, embodied experiences, and the built environment, the artist incorporates the…

"Shelter in Paint: a portrait of an empty house" is an investigation into private space and private thought through the visual language of representational painting. Structured as though moving through the rooms of the house, this paper…

Through my practice, I consider how artists can communicate a sense of empathy, compassion and kinship with insects and arachnids that encourages thoughtful cohabitation and the adoption of sustainable ecological practices. The focus of my research…

Fluidity is explored through the intersections of teaching pedagogy, handbuilding ceramics, and Buddhist spirituality. This paper supports the research and progression to the Immersion installation encompassing witnessing through film and clay.…

The research I performed during the MAA program was focused on establishing a theoretical framework for creative and collaborative participation, using dialogue and encounter in place-specific contexts. I discuss the development of this methodology…

This paper explores the conventions and limitations of the photographic medium, both material and representational. Suggesting that photography is situated at an important point within its evolution, the paper searches for new directions within a…

This thesis investigates the difficulties of reclamation and decolonization within the context of Hong Kong, recognizing the fluidity of how decolonization is defined, and the transitional nature of both people and place. Through printmaking and the…

This thesis research is comprised of artworks that are concerned with the processes by which art objects are delimited in terms of both their creation and their reception. My conception of objects is informed by Karen Barad’s agential realism, which…

The dichotomy between the science and art worldviews provides a gateway through which both artists and scientists can explore a personal and collective relationship with the world via the platform of the archive. Scientists (like me) and artists (…

This thesis support paper is about the journey of my development in art and illustration during the MFA program. The paper includes an introduction of my identity and background that is influential to my artistic practice. The focus of my practice…

Through my practice of colour darkroom manipulations and site installation, I investigate the photographic act as a unique phenomenon, serving a visual practice that embraces iteration and futurity. Photographs are in their very nature a unique set…