Compound Object
Compound Object
Compound Object
The impulse at the center of my practice is simple: I am longing for time that stretches out. I do not wish to spend time, buy time, save time, kill time, keep time. I want to inhabit time. This paper is divided into four sections. In Entanglement,…
Compound Object
Through my practice, I consider how artists can communicate a sense of empathy, compassion and kinship with insects and arachnids that encourages thoughtful cohabitation and the adoption of sustainable ecological practices. The focus of my research…
Compound Object
“In the universe, there are things that are known, and things that are unknown, and in between them, there are doors.” ― William Blake. This thesis support paper presents my artistic research on the ephemeral nature of absence in social constructs…
Compound Object
The MFA thesis writing reflects how accessing memories assists me in constructing a new visual language for my representational paintings. Through the process of collecting visual references of objects, space and figures, from auto-ethnographic…
Compound Object
Compound Object
The following paper is a two-part document of research. I process information best through the use of metaphor and narrative, so in order to tackle the complicated, analytical research of unpacking consciousness and the nature of death in relation…
Compound Object
Liquid Land is an art thesis project informed by decolonization and Andean Phenomenology. Working from an Ecuadorian perspective, this art project proposes alternate ways of perceiving nature as an attempt to decolonize our gaze towards the more…
Compound Object
The dichotomy between the science and art worldviews provides a gateway through which both artists and scientists can explore a personal and collective relationship with the world via the platform of the archive. Scientists (like me) and artists (…
Compound Object
This thesis document is divided into eight chapters, each one representative of a step and/or necessary component within traditional printmaking processes. Serving as both didactic terms and metaphoric interpretations, the steps are essential parts…
Compound Object
Travelling to the Peace River Valley from Vancouver, I saw firsthand the impact upon the land, from large mining enterprises leaving polluted rivers, streams, and lakes; the clear cutting of forests, and the introduction of industrial work camps…
Compound Object
This thesis project is auto-ethnographic research and practice-based inquiry, into the cultural construction and representation of women. Movement, video installation, photography and handmade collage are combined to examine the marginalized spaces…
Compound Object
This thesis document seeks to explore and expand on the topic of gender and sexuality through representational figurative drawing. Specifically focusing on the female-identified form in current society, this thesis investigates the plurality of ways…
Digital Document
Digital Document
Compound Object
Through painting, I rely on non-visual sensory information recorded in the woods to inform aesthetic decisions. Research happens in the act of painting. All visual and written references inform the collection of source material, but research happens…
Compound Object
In this thesis, I explore material and conceptual conversations between the physical and the mystical, the seen and unseen, the visible and not. I outline personal embodied experiences with religious practices and within sacred spaces as a grounding…
Digital Document
Digital Document