41 Results
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Compound Object
Through my practice, I consider how artists can communicate a sense of empathy, compassion and kinship with insects and arachnids that encourages thoughtful cohabitation and the adoption of sustainable ecological practices. The focus of my research…
Compound Object
Fluidity is explored through the intersections of teaching pedagogy, handbuilding ceramics, and Buddhist spirituality. This paper supports the research and progression to the Immersion installation encompassing witnessing through film and clay.…
Compound Object
This thesis investigates the difficulties of reclamation and decolonization within the context of Hong Kong, recognizing the fluidity of how decolonization is defined, and the transitional nature of both people and place. Through printmaking and the…
Compound Object
This thesis support paper is about the journey of my development in art and illustration during the MFA program. The paper includes an introduction of my identity and background that is influential to my artistic practice. The focus of my practice…
Compound Object
Through the Master of Fine Arts program at Emily Carr University of Art + Design my work has focused on the mediated moving body as my research investigates the concept of embodiment for joy, self-awareness, and self-reflexivity. Art is an ideal…
Compound Object
Compound Object
In this thesis, I demonstrate how I map out my autobiographical experiences within my art practice to bring attention to the powerful capitalist and patriarchal structures that keep feminism, mental illness, and pain hidden. By using autotheory, I…
Compound Object
Compound Object
This thesis document titled Palm Readings is informed by entangled topics that take up plein air painting, watercolour as a primary medium and the relationship of colour to the Caribbean island of Puerto Rico. The specific questions that I address…
Compound Object
The writing presented in this paper attempts to break down the broad structures within which I exist. I would like to preface the document by stating that I see the writing and art presented in this paper as steps in a broader effort to gain agency…
Compound Object
This research paper examines the importance and value of matrilineal knowledge and emotional knowledge as foundations for an art practice, as well as artmaking as a means of processing difficult emotions such as grief. The studio research…
Compound Object
Compound Object
This research began with the body, however nobody (no-body) is the location where this practice presently exists. To be clear, this research is developed through symptoms that develop within a body and then exist outside of a body as material.…
Compound Object
The instrumentalization of biometric data orchestrated through surveillance technologies can press today’s users of communication tools, devices, and platforms to opt out of such systems. This graduate research thesis aims to reveal the…
Compound Object
Edwards, Kathleen. DREAMING AS LIFEWAY: Analogue Apparitions and Earthly Protagonists. Master of Fine Arts, April, 2023, Emily Carr University of Art + Design, Vancouver, British Columbia, Canada. Shé:kon, sewakwé:kon. KJ ní’i. I am a Kanien’kehá:ka…
Compound Object
Compound Object
This writing is a window into my mind and the meandering thoughts behind a series of sculptural experiments and installations I have made from compostable materials. The work explores the porosity of bodies as entities and the symbiosis that becomes…
Compound Object
This paper considers the role of an emergent embodied art practice in better understanding, communicating and managing the experiences of chronic illness and chronic pain. Referencing a history of pain scales, diagnostic tools, and pain management…
Compound Object
This thesis is a reflection on my artistic practice before and after the MFA program. While I initially thought it was about nothing, I later came to realize it was actually about "nothingness". I explored anamnesis, involuntary memory and…
Compound Object
Compound Object
This thesis document outlines several bodies of work that exist along a continuum of ongoing material process. In thinking through different sets of work, I seek to find through lines and consider past ways of making and thinking. In so doing, I…