Compound Object
This project aims to refine notions of ethical design within the commercial communications industry and investigate the potential for actionable support to ethical practice. It intends to provide a unique aggregation and distillation of ethical…
Compound Object
This research began with the body, however nobody (no-body) is the location where this practice presently exists. To be clear, this research is developed through symptoms that develop within a body and then exist outside of a body as material.…
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This thesis document seeks to explore and expand on the topic of gender and sexuality through representational figurative drawing. Specifically focusing on the female-identified form in current society, this thesis investigates the plurality of ways…
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This writing is a window into my mind and the meandering thoughts behind a series of sculptural experiments and installations I have made from compostable materials. The work explores the porosity of bodies as entities and the symbiosis that becomes…
Compound Object
My research takes place in my hometown, the rural community of Hope, B.C.. situated on the traditional territory of Chawathil First Nation and the Tiyt Tribe. The Tiyt Tribes of the Stó:lō territory extend along the boundaries down both sides of the…
Compound Object
This paper is in support of my artist-based thesis research entitled Aurora. My practice is interdisciplinary with a focus on installation and sculpture, consistently engaged in questions surrounding culturally inherited power structures and…
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Agente Costura is a Portuguese term loosely translated into We are a sewing Agent. It stands for my experiments with the sewing machine as a compositional percussion instrument, making music out of making clothes, challenging myself in collaborative…
Compound Object
My art practice is based on the study of sensory perception. How can the representation of synesthesia function in an art context, specifically painting? Further to this, what is the role of sensory perception in relation to Chinese cosmology and…
Compound Object
“How is the body a vessel for memory?” and “How do the stories we recall and recount create who we are?” These are the questions explored in this thesis through the lens of memory loss and family, alongside an analysis of the challenges of…
Compound Object
This thesis project researches the ethology of grey squirrels and their links to human systems to speculate possible futures in hybrid human development through artistic practice. Humans living in urban spaces interact daily with nonhumans as cities…
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Ghosts of the Home: Unfolded Pasts & Traces of the Old Country is a project that encompasses material and conceptual research regarding the realities of people with cross-cultural identities. The core of this thesis work relies on my own Polish-…
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Edwards, Kathleen. DREAMING AS LIFEWAY: Analogue Apparitions and Earthly Protagonists. Master of Fine Arts, April, 2023, Emily Carr University of Art + Design, Vancouver, British Columbia, Canada. Shé:kon, sewakwé:kon. KJ ní’i. I am a Kanien’kehá:ka…
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This thesis document outlines several bodies of work that exist along a continuum of ongoing material process. In thinking through different sets of work, I seek to find through lines and consider past ways of making and thinking. In so doing, I…
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My thesis research is an investigation of Guatemala’s history, where I am from. I do this in resistance to silence, venerating and collaborating with my ancestors. The silence I speak of is a Guatemalan characteristic that entails never speaking…
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In my work in the MAA program I have focused on bringing the invisible/inaudible into the scope of human consciousness. Human perception is limited to our senses, and in this thesis I will investigate how we can allow for the perception of the…
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In this thesis, I explore material and conceptual conversations between the physical and the mystical, the seen and unseen, the visible and not. I outline personal embodied experiences with religious practices and within sacred spaces as a grounding…
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This paper examines the experience of lucid dreaming both from my own perspective and that of others, as well as the theoretical, psychological and artistic aspects of this phenomenon. I discuss destabilizing factors in lucid dreaming: a term used…
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My heritage is glued to colour palette, which is layered underneath historical and contemporary painting influences. In an attempt to answer these questions, I begin to peel back layers of personal history and the physical layers of each painting,…
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My impetus as an artist is to promote a sense of nature connectedness in the public consciousness, with the understanding that this leads to more pro-environmental attitudes. I gain insights from Indigenous ecological perspectives, the science of…
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My practice interrogates the space between an object and its ecology: the relationship between material practice and complex systems, such as living ecosystems, and the environments in which they are situated. My main interest is our current…
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Identisploitation explores charged representations of identity in pop culture through painted paper figures, video art, and garments. The complicated public images of historical figures, including the iconic Black performer, Josephine Baker, are…