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“In the universe, there are things that are known, and things that are unknown, and in between them, there are doors.” ― William Blake. This thesis support paper presents my artistic research on the ephemeral nature of absence in social constructs…

An exploration of dreams is a recurring source of inspiration for my practice. Coupled with observations from lived, waking experience, dreams offer another layer and resource for making art. Inspired by my dreams the balloon is used as a material…

This support paper seeks to analyze the potential of a new media arts practice in relationship to Second to Fourth Wave feminism discourse. Based on the works produced during my MFA studies at Emily Carr University, I investigate how a humanized…

In this thesis, I discuss feminist acts of resistance and the politics of location, relating this to my own artwork and to that of other performance artists. Taking this as a point of departure, I further position my creative practice in relation to…

I make performances using space, time, the body — and sometimes things — as materials. These performances attempt, through a personal and embodied investigation of these materials, to explore an intimacy with the viewer that engages with questions…

This research based practice investigates a contemporary relationship to environment in the age of the Anthropocene. Conceptually led, this interdisciplinary practice ranges from drawing, photography, video, sculpture, to site-sensitive installation…

This research paper examines the importance and value of matrilineal knowledge and emotional knowledge as foundations for an art practice, as well as artmaking as a means of processing difficult emotions such as grief. The studio research…

This paper considers the role of an emergent embodied art practice in better understanding, communicating and managing the experiences of chronic illness and chronic pain. Referencing a history of pain scales, diagnostic tools, and pain management…

This research paper examines the importance and value of matrilineal knowledge and emotional knowledge as foundations for an art practice, as well as artmaking as a means of processing difficult emotions such as grief. The studio research…

In this thesis, I discuss feminist acts of resistance and the politics of location, relating this to my own artwork and to that of other performance artists. Taking this as a point of departure, I further position my creative practice in relation to…

The impulse at the center of my practice is simple: I am longing for time that stretches out. I do not wish to spend time, buy time, save time, kill time, keep time. I want to inhabit time. This paper is divided into four sections. In Entanglement,…

This paper is the theoretical component that accompanies Sidi Chen’s Master of Fine Arts project, Tidal Relations, at Emily Carr University of Art + Design. Tidal Relations is a practice-based relational inquiry from the diasporic perspective of a…